Paintings With Soul

"Hayley," 18" x 24", a memorial portrait of a beloved Cavalier King Charles Spaniel, acrylics on museum quality panel, private collection (THANK YOU!). I do have a few spots left for holiday portraits -  speak now or forever hold your peace! Hayley got lots of attention this weekend and today, and I think she may be finished. I just sent jpgs over to my collector and am holding my breath......  I am especially happy with the detail and color in her ears, and how they frame her beautiful and tender little face. In process photos are here . Thanks for following along with my artwork, Kim

IN PROCESS, "Hayley," 18" x 24", a memorial portrait of a beloved Cavalier King Charles Spaniel, acrylics on museum quality panel, private collection (THANK YOU!). And yes, I have just a few spots left for holiday portraits -  speak now or forever hold your peace! Here is Hayley's portrait after a few days of work - slow and steady progress is being made. I adore her soulful eyes and those long, silky ears.  This painting will sing with color and gorgeous, deliberate, brush strokes. Thanks for following along with my artwork, Kim

"Bad Dog I" and "Bad Dog II," which I suppose are from the "Emerging" series since they are on darker grounds, each 4" x 6" but completed on one 8" x 6" panel (so they are one painting that includes 2 images), acrylics on museum quality panel, inspired by an old wooden vintage Fisher Price Little People dog, $329 to the first asking nicely. And if you would like, I will cut these two apart so that you will have two separate paintings, all for the price of one. Just ask here! Yesterday sneaked past when I wasn't looking. Today's doing the same thing. But meanwhile, I was able to come into the studio last nite for a little quiet time with my brushes and easel, and I eeked out this little panel featuring two versions of a bad dog - one who grins and lies to your face, and another who averts his eyes and pretends he/she didn't do it (we all know both those looks well, don't we!?). This afternoon I...

"Rainbow Fresian I" (above), "Rainbow Fresian II" (below) and the Breyer horse inspiring them, who I'm just now realizing is most likely an Andalusian. Each piece is 19" x 24" acrylics on bristol board, entirely original artwork. They will need to be framed and displayed behind glass. Available via FB auction -  Click here for purchase information.  My Muse Spoke Up...... ... and she asked for the artists' equivalent of Girl Scout cookies. She wanted to play with color and line. So I indulged her by pulling down a Breyer model horse from the top of my bookcase and having fun. Both of these pieces started as contour drawings, then became embellished with more and more paint. It was a great exercise in less-is-more and it reminded me of the joy I have for my materials. And then I got super excited thinking about these hanging in a horse crazy little girl's bedroom. What a perfect gift that...

"Stevie," from the "Emerging" series, 12" x 12", acrylics on museum quality panel, starring a young Thoroughbred race horse and a smidgeon of dramatic light (and some glare in both upper corners from studio light!), $599 to the first asking nicely. Ask here! With Stevie's painting, I decided to go with a (somewhat) historical limited palette - only 5 tubes of paint were used. Which created some challenges, I agree. And I may redo this composition with different choices, but first I want to simmer with it a bit. In process pics are here - along with some great conversations about color and value. I'm officially starting year 8 of daily painting. That's 8 years of getting in the studio and creating something, mostly start to finish, daily (well, for me, at least 5 days/week). At first, daily painting pushed me way out of my comfort zone, then it became an important creative habit that fed my muse. As of late it's become ...

You can download the file   directly from my website . I've set up a couple different ways to do this, either via the photo album or a direct link. I am not an expert on operating systems, so if you don't know how to change your desktop wallpaper, please don't email me - I will indubitably steer you wrong. Your computer's help files will be more concise, more knowledgeable and more responsive than I could ever hope to be.  I've sized this to fit a standard screen height of 768 - I realize there are lots of variables that could impact how the file displays on your screen. Let me know if, once you get the file installed, there are display quality issues (keep in mind, too, that options such as "stretching to fit," "tiling" and "cropping" will impact your display, so check those first!). Thanks, as always, for following along with my artwork, Kim

From 2005, a gallery stretched painting titled "Wilted (Taco)," a larger than lifesized portrait (24" x 28") of a beefy chihuahua. Before I became a daily painter, I often painted really, really big.  I held onto this little big guy for 9 years, but he's spent the last couple in storage. I think he deserves a new home. Ask nicely , and he can be yours for rollback-to-2005 pricing of $700. I couldn't think of a better piece to end my week of critiques than with Taco. Because sometimes, even if we can't articulate it, a piece comes together and shocks us. These are the special ones, the "ah-ha" paintings, that we take special pride in. So what does work here? I'll tell you: 1. Taco isn't centered, but he's firmly rooted. This guy isn't budging one bit, and the composition is structured to send that message. 2. Look at all the color here, even though he is a (mostly) white dog! The form is modeled ...

From 2005, a gallery stretched painting titled "Pleased to Meet You (Introductions)," a lifesized portrait (20" x 18") of three labs.  All week long, I've been sharing older paintings, talking about what I would do differently today. It's been a great process - really reminding me that, despite my own feelings that I don't know much about painting, I actually do know quite a bit more than I did just a few short years ago. Today's painting, well, if I were to tackle this one again, I simply would choose not to paint it at all. The composition is so bad. The idea is fantastic, but I allowed myself to fall in love with the idea instead of the execution. That's impetuousness for you! But I'll critique it anyway: 1. Compositionally, there is a nice central point, but the yellow dog's head is a tough read, and the chocolate's front leg is awkwardly cropped. Furthermore, the black dog's back mim...

From 2004, a gallery stretched painting titled "Pippen," a lifesized portrait (20" x 34") of a miniature horse.  I heard 3 or 4 years ago that this painting was for sale in northern Michigan, although it initially sold via a gallery downstate for a horse crazy little girl's bedroom. I do hope that Pippen has a home now...... Continuing our  walk down memory lane , I'm sharing older pieces and talking about what I would do differently today. Just because I would do things differently does not reflect poorly on my initial effort (well, not always - yesterday's painting was a really bad one! ). Pippen here is a nice example of a fun and successful painting. However, there are still things I would do differently. 1. Hello, photo reference!! How can I tell? well, the darks and inky blacks are even, regardless of their distance from the viewer's eye. And the highlights are all evenly white, regardless of the local ...

From 2005, a gallery stretched painting titled "Bellyrub," starring one of my original studio muses, a rescued and timid calico named Turtledove. I couldn't find a record of how large this piece is, but I honestly didn't dig for that long. I'm guessing it was approximately an 18" x 24" gallery stretched canvas. Continuing yesterday's walk down memory lane , this week I'm sharing old pieces and talking about what I would do differently today. Here is a rather shockingly bad painting, and a few thoughts about how I would improve upon it.  But oh boy, does It burn my eyes to look at this one. 1. Can you tell this was a flash photo reference ? Hard shadows that do not indicate a light source, a "hot spot" of white on her belly, large unnatural reflections in her eyes, and no detail/depth in the shadows. And look at how flat the colors are - there is very little modeling inside her markings.   2....

From 2007, a gallery stretched painting titled "The Red Collar." This piece has been in a private collection for many years (THANK YOU!). You can read about Harley, my muse, and the painting's seed of inspiration here, and then this post includes the story behind the painting's unveiling . Artists are always learning and growing, and it's sometimes hard to remember that those who might be considered accomplished started out learning the same basics as everyone else. So, as requested, this week I'll share a few older paintings, along with a checklist of what I've learned since then. First off, let me say that The Red Collar is a strong painting with a lovely mood as is. However, given the things I've learned the last few years, were I to paint it again (and I'm very tempted to!), I would change some things up. 1.  A direct light source would help accentuate the dog's beautiful form. He is very fl...

This is Finnigan, a cattle dog mix, keeping an eye on our front yard from the comfort of his club chair. Both photos taken within seconds of each other on an evenly lit day with the same camera. The upper photo is a flash one, the lower photo was exposed using natural light. I ask collectors to send me non-flash photos for portrait work. Oftentimes they don't understand what I'm asking or why. Here is a little explanation: 1.  Flash photos cast unnatural shadows, often masking the actual edges of the animal. Look at the space behind Finnigan's ear and head - see how his ears appear larger and harder in the flash photo because of the shadow? See how the space on his chest, between his legs, is equally shadowed as that foreleg reaching towards up? 2.  Flash photos reflect off the surface of the subject, and do not allow for coat texture, nuances of color, or skeletal structure to be visible. There is far more information in the lower photo, and I can ...

"Orchard II," 10"x12", acrylics on museum quality panel, a study created plein air my second day of Vianna Szabo's Plein Air Workshop at Millers Big Red Cider Mill this past weekend. This is an extra special painting because it's really two different pieces all in one (see below) AND it has a dinosaur - it's only $250 if you are the first one saying please . Like you learned yesterday , I got to paint with none other than Vianna Szabo this last weekend!   Day two brought about conversations of atmosphere and color, drawing and painting depth, and allowing the viewer to step INTO our paintings.  We made value sketches, committed to a compositional idea, and set up our gear. I lost my composition, though, as the sun moved - my left to right shadows, including an awesomely menacing claw shaped shadow! - disappeared with the noon sun. And I hadn't captured them adequately. I tried to fake it, but didn't have the vi...

"Orchard I," 8"x10", acrylics on museum quality panel, a study created plein air while shivering majorly at Millers Big Red Cider Mill this past weekend. I don't do cold, but I ventured into the chilly great wilds this weekend for the opportunity to paint plein air with one of my mentors. You can snag this painting for $200 if you are the first one saying please . I HEARD A PLEASE, so this one's SOLD! THANK YOU! I got to paint with none other than Vianna Szabo this weekend! I was part of her landscape painting workshop. She took 8 of us on a whirlwind immersion to the joys - and realities - of painting plein air. The first day we focused on composing and editing the landscape. Plied with donuts and warm cider, we then ventured into a wet and cold orchard to create value studies that solidified (or should have) our concepts. My first ah-ha moment came while working on my color study. I was tracking my brushstrokes on a value scale (I t...

"Nabu," 24"x24", acrylics on museum quality panel, a larger than life commissioned portrait of a border collie, private collection (THANK YOU!).  I can do something similar and work from your photos - just ask! Nabu's been on the easel for a bit each day this week, and today I'm calling him finished and asking my client for her thoughts. I have another large painting in the wings which should take up the bulk of next week. It is super top secret, so I won't be able to share a peep about it.  Which means I have no blog material lined up! I'm open to suggestions as to what to post - what do you want to see?  Thanks, as always, for following along with my artwork, Kim PS In process photos are   here.  

"Meg," 6"x8", acrylics on museum quality panel, a commissioned portrait of a little Maltese who is loving her second chance at life, private collection (THANK YOU!).  And but of course I can paint like this for you - just ask! . Meg was adopted into her new home last fall. She joined two older brothers, and didn't take long at all to leave her pawprint on her new Mom's heart. Who knows what her previous circumstances were? She is timid and remains fearful of men, but she knows how to snuggle and love on those who are kind. And that's pretty much how the rest of her life is going to play out! Thanks, as always, for following along with my artwork, Kim

"Nabu," 24"x24", acrylics on museum quality panel, a larger than life commissioned portrait of a border collie, private collection (THANK YOU!).  I can do something similar and work from your photos - just ask! Ok, so the kids are back in school and also back en force with their afterschool activities. This means I have the luxury of regular studio days and larger blocks of time to paint! and to market, and to do paperwork, and to clean, and to volunteer. And to fully enjoy the fine art of the 2nd Breakfast . What is your fall routine? Thanks, as always, for following along with my artwork, Kim PS In process photos are   here.  

"Austin," 11"x14", acrylics on museum quality panel, a memorial painting for a good friend starring her one and only special guy).  I can do something similar and work from your photos - just ask! . Artist Michelle Grant  was one of my earliest mentors and supporters. Over a decade ago, she relentlessly answered my questions and I spent hours studying her paintings, trying to figure out her particular form of magic.  Michelle also generously shared photos of her Austin, a gorgeous sighthound with one amber and one shockingly blue eye.  I painted him larger than life (I think his head was about 30" tall), sent him off with her blessing to an exhibition, where shortly thereafter the painting sold to a collector. In typical fashion, Michelle was thrilled for my sale. And then earlier this summer, she let on that she regretted not having Austin's painting for herself. He he he. Merry Christmas, Michelle, just a little early. Consider...

"Elvis," 8"x10", acrylics on museum quality panel, a commissioned memorial painting for one heck of an awesome dog, which means this one has a home (thank you!).  Inquiries may come here  . My heart breaks with these sorts of projects. I remind myself that we say goodbye way too soon to each of our pets, and that I am giving collectors something extraordinary that they didn't have before, a wonderful touchpoint for sharing memories and commemorating their family member. But it's still hard. My heart is just a wee bit too big, I suppose. Thanks, as always, for following along with my artwork, Kim PS In process photos are here .

"Tucker," a small commissioned sketch, done in paint on paper, of a spaniel. Tucker will be heading home tomorrow. In May I offered painted sketches (simple, lower cost, commissioned portraits done loosely on paper) - originally only 10 of them - but as you may know, it's hard for me to say no. Especially when I heard all your stories and saw all the faces. I ended up accepting over double that, and have been working on them over the course of the summer months.  Tucker's here represents the last of those. Next it's on to some pretty exciting exhibition and gallery pieces, along with a couple large scale commissions.  Thanks, as always, for following along with my artwork, Warmly, Kim ksantini@turtledovedesigns.com