Skip to main content

Audrey, Mixed Breed

"Audrey," 6" x 8", commissioned dog portrait of a mixed breed, acrylic paint on canvasboard, private collection (THANK YOU!).
 
This piece is all about texture and depth, both of which were achieved by paying attention to edges. Not just the edges of the dog herself, but the edges of the plains of lights and darks, controlling their crispness or lack thereof.
 
I've got a number of other commissions lined up behind Audrey. Last June, when I booked portraits for this week I didn't realize that Memorial Day fell early this year. Then I slid in the Visiting Artist stint on Friday and yesterday, again not processing that this was already a 4 day work week and that we would be out of town the days in between. Somebody smack me silly - I need to work on my time management skills!!
 
Are you interested in booking a portrait of your own? (hah! after the prior paragraph, you're probably looking for another artist to commission - one who has a realistic idea of what can be accomplished in a 24 hour period). If I haven't scared you off altogether, please send me an email - I have a handful of Holiday 2009 slots still available. Dog-a-Day paintings make extraordinary gifts - set yours up now and then kick back and avoid the malls and holiday crowds. (It's not too early to start thinking about ordering your copy of the second Dog-a-Day book, too. Details are forthcoming.......)
 
Thanks as always for looking at and sharing my paintings with your friends and family,
See you tomorrow,
Kim

Comments

Popular posts from this blog

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...

Grindstone

"Grindstone", 16" x 20" acrylics on museum quality panel, depicting Grindstone, just a few strides away from winning The Kentucky Derby in 1996. Read more about this painting's story below - it's a good one! And inquiries may come directly  to me .  Paying it Forward Shortly after getting The Derby Gig, which neatly dovetailed my childhood passion for horse racing with my grown up obsession with painting, I started formulating a plan to give back to the universe. As it played out, The Kentucky Derby Museum got involved, and it was decided I would donate a piece to them, something they could use as a fundraising tool to further their education efforts.  "Would I be interested in painting Grindstone, the winner of the 1996 Derby?" they asked. But of course! Little did I know the background story, though. Every year the Museum asks the owners of the Kentucky Derby winner to donate one breeding to the Museum when th...

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...