Skip to main content

Images of Doc


FROM TOP: "Promise," 6" x 8," and "Hope," 4" x 6," both on raymar panel, portraits of a rescued Buckskin quarter horse, available for purchase.

These are several smaller pieces I've created for this summer's "Happily Ever Afters" show (I have another, "Peace," a 5" x 7" painting on the easel now, which I'll finish later tonite).

Doc belonged to a friend of mine, and despite the myriad of issues inherited when Juliet rescued him, he was loved and cherished right up until the very end. I've painted him many times, and still don't tire of his kind eye and kalaidaescope colors.

(Psst, artists - take a peek at Juliet's new blog of reference imagery and inspiration - as much as I'd like to, I can't keep this good stuff to myself!!)

It is especially fitting to bring imagery of animals I've known with me to my solo show this summer - they will be my friends on opening night, winking from across the room, telling me they believed all along.

We all need friends like this, don't we?

Inquiries (including booking your own pet portrait, from miniature size [4" x 4"] to larger than life) may always come to me.

Thanks, as always, for looking at - and sharing - my artwork with your friends and family.
Kim

SHOP ORIGINALS & LIMITED EDITION GICLEES: at my Etsy shop
ORDER CUSTOMIZED NOTECARDS & REPRODUCTIONS: at Imagekind
COMMISSION A PET PORTRAIT: contact me
GIFT CERTIFICATES AVAILABLE: contact me
READING MATERIAL: Preview and order each of the Dog a Day books at the publisher's website: The First Year (2006-2007) and That's 14 in Dog Years (2008). If you would like your copy personalized, order them through me.

Comments

Popular posts from this blog

“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...