![]() Here's where we left off yesterday - I had begun to lay down a range of values and then identified some drawing problems that needed attention before any more paint layers went down. (You can see yesterday's progress - including the inspiration photo - here.) ![]() Yes, this is the same panel! I redrew Maggie, correcting her oversized bum, making her eyes a little brighter, and pulling her chin forward. I corrected the improbable angle of her shoulders and front legs, too. And then I threw in underpaintings for the background that will be compliments to the ultimate final layers of color. This totally changed the painting, no? ![]() Using those same hot colors as in the underpainting, I dropped in bits and flecks of color in Maggie's face. This is what will give her painting life and intensity. ![]() I moved my attention to the back 1/2 of her body, and used neutralized versions of the same colors to begin pushing it back in space. Notice how I painted over the tip of her left ear? The brushwork wasn't cohesive behind the edges of her ear and across her shoulder, so I smoothed things out by going straight overtop it. And that's where I ran out of steam! I hope to pick the brushes up again tonite after dinner. Thanks, as always, for sharing my artwork with your friends and family, Kim
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The cover of "A Dog Named Blue," now available from Blurb publishers. When I first painted Amelia I never imagined that she would be re-christened "Blue" and inspire a book. In her defense, Amelia had a number of other partners in crime - animals who's portraits seemed to fall into a specific color category and prompt color-centric names. In typical ADD fashion, my brain started spinning 100mph. What if I turned those muses' paintings into a picture book for animal loving kids? I shared my idea with three friends in the industry, and they eagerly offered their expertise. I am truly indebted to them. Illustrator and author Matt Faulkner and children's book author and literacy expert Kristen Remenar edited an early version of the draft. They suggested key plot/conceptual changes that made it oodles better. Designer Elizabeth St. Hilaire Nelson worked her magic, pairing the images with perfectly color...
Toujours trĆØs impressionnĆ©e par la progression de votre travail... j'adore, j'adhĆØre...
ReplyDeleteGros bisous