Skip to main content

NEW PAINTING Sapling

 

"Sapling," 16"x20", acrylic on panel, from the "Forest for the Trees" series. This piece, along with some sister pieces will be available in the very near future. Please send any questions my way and thanks so much for your interest in my artwork.

I work intuitively, which means that I have no idea or plan as to how a piece will turn out. I just show up and follow my muse. It's often a game of cat and mouse - particularly when I think I know where we are headed. I am almost always wrong. I have learned to be quiet and patient. Usually that does the trick.

There's also many, many layers of paint in these pieces. Those layers are often paintings or designs that could be considered finished works on their own accord. When I sit with them, they bloom with promise but also keep their secrets until I pick my brush up again and trust that things will work out.

With Sapling, my muse first revealed the adult version of this tree. You can see her boughs and foliage ghosted in the background. Slowly, we began peeling those limbs off, pruning with glazes of paint, until she was left to a leggy, sparsely leafed specimen. Had we gone back in time? is she remembering her youth? or is she a whisper of a tree yet to take root?

Only my muse and the tree spirits know for certain and they are all being pretty quiet.

So I thank Sapling for honoring me with her presence and move on to the next painting. I'll learn down the road what the piece is about. But for now my job is to just bring them to life.

Thanks for taking the time to look at my work,
Be well and be inspired, Kim

Labels:

Comments

Post a Comment

Popular posts from this blog

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...
33 comments
Read more

Grindstone

"Grindstone", 16" x 20" acrylics on museum quality panel, depicting Grindstone, just a few strides away from winning The Kentucky Derby in 1996. Read more about this painting's story below - it's a good one! And inquiries may come directly  to me .  Paying it Forward Shortly after getting The Derby Gig, which neatly dovetailed my childhood passion for horse racing with my grown up obsession with painting, I started formulating a plan to give back to the universe. As it played out, The Kentucky Derby Museum got involved, and it was decided I would donate a piece to them, something they could use as a fundraising tool to further their education efforts.  "Would I be interested in painting Grindstone, the winner of the 1996 Derby?" they asked. But of course! Little did I know the background story, though. Every year the Museum asks the owners of the Kentucky Derby winner to donate one breeding to the Museum when th...
Post a Comment
Read more

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...
11 comments
Read more