Skip to main content

NEW PAINTING Fox Remnant 1

 

Fox Remnant I, 16"x20" original painting, acrylic on panel, $850 plus s&h to the first asking nicely.  Link to purchase is below. Please reach out with any questions.
 
In a nutshell, I start the majority of my paintings with a contour drawing. I particularly appreciate the tracery of linework that results from delineating the shapes that build the form. Then I add some painted marks (think about form), return to draw the shapes again (the lines are a wee bit different this time), and continue to go back and forth for the most part until I feel as though the piece is finished.

With this Remnant series I am drawing with my eyes closed, both hands on the surface of the painting. I am feeling my way into a form - Fox - that I have drawn hundreds of time. I imagine her, how my hands might cup her cheek or stroke her shoulder (Fox isn't tame, but she allows gentle contact), and I roll my tool through my fingers and across the surface while she comes to life inside my head. I will lean into the surface with my upper body, draw with an arm outstretched or move in super close. I want my drawing process to be a full body experience, engaging all the senses but sight.

I use the same process of drawing, adding paint, redrawing, adding more paint. Picking out landscape elements when i see them, using color and building up paint expressively. It's a challenge to keep the wonky bits, well, wonky. My subconscious wants to correct them, yet I do love the mismatched passages and the dreamlike quality she takes on when I leave some as is. I am painting a memory of Fox, my memory of Fox, and therefore her perfectly clear relationship to a living, breathing Fox becomes unnecessary.

Not every piece is successful - not in this series or any series for that matter - but each one does teach me things of great measure.

Fox Remnant I can be viewed up close, in a room setting, and even purchased right here. She will bring a calm, joyous energy to your space.

I am happy to offer payment plans, simply ask. A 30% non refundable deposit reserves the painting, with the balance plus shipping and handling satisfied within 12 months.

Thanks so much for your interest in my artwork,
All my best, warmly, Kim


 

Comments

Post a Comment

Popular posts from this blog

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...
33 comments
Read more

Grindstone

"Grindstone", 16" x 20" acrylics on museum quality panel, depicting Grindstone, just a few strides away from winning The Kentucky Derby in 1996. Read more about this painting's story below - it's a good one! And inquiries may come directly  to me .  Paying it Forward Shortly after getting The Derby Gig, which neatly dovetailed my childhood passion for horse racing with my grown up obsession with painting, I started formulating a plan to give back to the universe. As it played out, The Kentucky Derby Museum got involved, and it was decided I would donate a piece to them, something they could use as a fundraising tool to further their education efforts.  "Would I be interested in painting Grindstone, the winner of the 1996 Derby?" they asked. But of course! Little did I know the background story, though. Every year the Museum asks the owners of the Kentucky Derby winner to donate one breeding to the Museum when th...
Post a Comment
Read more

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...
11 comments
Read more