Skip to main content

A (Dog) Treat a Day



FROM TOP: "Sugared Lollipop I (Blue)," and "Sugared Lollipop II (Red)," both 6" x 8", from the "Tags, Toys & Treasures" series still life paintings, depicting crystalized sugar lollipops on wooden sticks, acrylic on board, $219 each to the first buyer (yes, I do combime shipping). Inquiries to ksantini@turtledovedesigns.com .

No, it's not a dog, but Finnigan sure would have liked to have gotten a hold of today's prop. I think he feeds off the kids' excitement. I did think ahead, and there were enough sugared lolli's for the whole neighborhood today. You have never seen so many blue and purple and green lips in one place before!! (Finni got his Heartguard, so he had a special treat, and although it didn't turn his lips any fun colors, he didn't seem to feel ripped off.)

A favorite artist of mine (Carol Marine, http://www.bluecloudstudios.com/) often separates her objects from their drape by a sheet of glass. This gives a subtle reflection to the setup, one that I tried to achieve today with the sugared lollipop and faded silks. I also tried to do this entire painting wet-on-wet, meaning that I continually moved/pushed the paint around before it dried.
And these things were HARD! Not many value changes, but just lots of subtle shifts in color. Yikes.

Thanks, as always, for looking.
And for sharing these paintings with your friends and family!
Kim
Labels:

Comments

Post a Comment

Popular posts from this blog

“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...
Post a Comment
Read more

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...
33 comments
Read more

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...
11 comments
Read more