Skip to main content

Untitled, from the Saratoga Series


Untitled, from the Saratoga Series, 6" x 8", acrylic on Raymar panel, depicting Thoroughbreds and their jockeys on the track at Saratoga in New York, $349 to the first one who asks nicely. I know there's a great title here, but I'll be darned if I can think of it - suggestions welcomed! Your ideas (including inquiries about commissioned projects) may come straight to me.

There's something about the pagentry and color of horse racing, which aside from the beasts themselves, is mesmerizing. I wanted to capture a sliver of that with this composition - the jockeys and their mounts became a simple excuse for daubs of color. Color is such fun.

At the opposite end of the spectrum, there sits the power of black and white. I want to share with you a portrait of that my friend and uber talented Sheona Hamilton-Grant (aka The Graphite Queen) did of Finnigan. The drawing is due to arrive any day now. I'm getting a small taste of the anticipation and excitement you all go through while waiting for your paintings to arrive home.

Stay warm and safe this weekend - this latest winter storm is missing us in Michigan, but I know it's blanketing many others in the Dog a Day famiy.
Kim

SHOP ORIGINALS & LIMITED EDITION GICLEES: at my Etsy shop
ORDER CUSTOMIZED NOTECARDS & REPRODUCTIONS: at Imagekind
COMMISSION A PET PORTRAIT: contact me
GIFT CERTIFICATES AVAILABLE: contact me
READING MATERIAL: Preview and order each of the Dog a Day books at the publisher's website: The First Year (2006-2007) and That's 14 in Dog Years (2008). If you would like your copy personalized, order them through me.

Comments

Popular posts from this blog

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...

Grindstone

"Grindstone", 16" x 20" acrylics on museum quality panel, depicting Grindstone, just a few strides away from winning The Kentucky Derby in 1996. Read more about this painting's story below - it's a good one! And inquiries may come directly  to me .  Paying it Forward Shortly after getting The Derby Gig, which neatly dovetailed my childhood passion for horse racing with my grown up obsession with painting, I started formulating a plan to give back to the universe. As it played out, The Kentucky Derby Museum got involved, and it was decided I would donate a piece to them, something they could use as a fundraising tool to further their education efforts.  "Would I be interested in painting Grindstone, the winner of the 1996 Derby?" they asked. But of course! Little did I know the background story, though. Every year the Museum asks the owners of the Kentucky Derby winner to donate one breeding to the Museum when th...

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...