In January I took a book making class with local genius Pat McGraw. We decided to reconvene in March with a newly made book for each of the attendees and do a book exchange of sorts. I snagged a full-color Van Gogh coffeetable book with broken binding at my library's used book sale. I gently removed the pages, tore them into equally sized strips, artfully grouped into signatures (text meeting fragments of paintings, sometimes upside down even), which I then pamphlet stitched. Five signatures were then woven together along the spines using a watercolor dyed pearle cotton. I was particularly excited about the random quality of the assembled pages. Snippets of the text ran alongside bits of paintings, and when placed in context with each other, encouraged entirely new discoveries. I also made sure to include plenty of space in the margins and elsewhere so that the recipient could add their own thoughts to the books. We met one evening last week, enjoyed catching up with each other, shared a couple sips of wine, and traded our books. I came home with a beautiful accordian-fold volume highlighting the value of friendship (so appropriate given that it came from a long-time client turned friend) and an equally gorgeous rubber band bound book of The Native American Ten Commandments. The best part? We've decided to meet every 3 months and repeat the process. My next book is going to be made up of some of my monoprint experiments (have you seen these? I've been sharing them on Facebook....... come be a fan of the studio and get a peek at other projects that feed my inspiration!). Thanks in advance for sharing the Painting a Dog a Day artwork and my journey, Kim
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The cover of "A Dog Named Blue," now available from Blurb publishers. When I first painted Amelia I never imagined that she would be re-christened "Blue" and inspire a book. In her defense, Amelia had a number of other partners in crime - animals who's portraits seemed to fall into a specific color category and prompt color-centric names. In typical ADD fashion, my brain started spinning 100mph. What if I turned those muses' paintings into a picture book for animal loving kids? I shared my idea with three friends in the industry, and they eagerly offered their expertise. I am truly indebted to them. Illustrator and author Matt Faulkner and children's book author and literacy expert Kristen Remenar edited an early version of the draft. They suggested key plot/conceptual changes that made it oodles better. Designer Elizabeth St. Hilaire Nelson worked her magic, pairing the images with perfectly color
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