![]() ABOVE IN PROCESS: "The Post Parade," 5" x 14", depicting the post parade at Saratoga Springs Racetrack on a sunny summer day, done in Golden Open Acrylics on an Ampersand panel, will be $379 (when finished tomorrow). Interested in adding "The Post Parade" to your collection?Then by all means, please email me and we'll make it happen! This morning I felt like tackling a challenging painting, so I pulled a mess of reference photos, dug out a loooong panel, and got busy. Here's what I accomplished in a few hours' work: ![]() I started with a bold underpainting, and roughly built my first layer to reflect the composition - Light Ultramarine Blue on top, with a mixture of Cadmium Red Light, Light Magenta, and Naples Yellow on the bottom. ![]() Then I roughly sketched in my composition. I laid down the curve of the rail, began defining basic values in the tree shapes, greened up the infield, and lightened the track. There are pockets of the underpainting exposed all over the surface - this will add vibrance to the finished piece (see how the green "sings" alongside the exposed orange?). I also retained a strip of the underpainting to indicate where the horses' feet would hit the ground. ![]() I continued adding loose details, working from the middle of the canvas outwards to retain proper spacing. I am concerned with the progression of shapes, making certain there are relationships (defined via body language) between the ponies and their charges. I'm also paying attention to scale, making the horses at the head of the parade proportionally smaller than those in the front right edge. In the 4th step (illustrated at the top of the blog), I'm still working with the barest of details. I've pushed more sunlight in by lightening up the track in the foreground and graying out the background trees, doing this with several layers of glaze. Notice the horses still don't have legs, many of them are also missing their heads - once I am finished with the background (including the infield), I'll start in on those sorts of details. Tomorrow you'll get to see the finished piece! Meanwhile, I'm headed back to the easel! Thanks for sharing my artwork with your friends and family, Kim
|
“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...





Ambitious but coming along great, Kim! Can't wait to see the finished product!
ReplyDeleteThanks so much for posting this "lesson", Kim! I enjoyed seeing how you approached this painting. And I'm looking forward to "part two".
ReplyDeleteThanks, Linda! I enjoyed working on this one a LOT!! hoping to find an excuse to do another similar piece soon.....
ReplyDeleteThanks, Susan - glad you enjoyed part i. :)
ReplyDelete