ABOVE IN PROCESS: "The Post Parade," 5" x 14", depicting the post parade at Saratoga Springs Racetrack on a sunny summer day, done in Golden Open Acrylics on an Ampersand panel, will be $379 (when finished tomorrow). Interested in adding "The Post Parade" to your collection?Then by all means, please email me and we'll make it happen! This morning I felt like tackling a challenging painting, so I pulled a mess of reference photos, dug out a loooong panel, and got busy. Here's what I accomplished in a few hours' work: I started with a bold underpainting, and roughly built my first layer to reflect the composition - Light Ultramarine Blue on top, with a mixture of Cadmium Red Light, Light Magenta, and Naples Yellow on the bottom. Then I roughly sketched in my composition. I laid down the curve of the rail, began defining basic values in the tree shapes, greened up the infield, and lightened the track. There are pockets of the underpainting exposed all over the surface - this will add vibrance to the finished piece (see how the green "sings" alongside the exposed orange?). I also retained a strip of the underpainting to indicate where the horses' feet would hit the ground. I continued adding loose details, working from the middle of the canvas outwards to retain proper spacing. I am concerned with the progression of shapes, making certain there are relationships (defined via body language) between the ponies and their charges. I'm also paying attention to scale, making the horses at the head of the parade proportionally smaller than those in the front right edge. In the 4th step (illustrated at the top of the blog), I'm still working with the barest of details. I've pushed more sunlight in by lightening up the track in the foreground and graying out the background trees, doing this with several layers of glaze. Notice the horses still don't have legs, many of them are also missing their heads - once I am finished with the background (including the infield), I'll start in on those sorts of details. Tomorrow you'll get to see the finished piece! Meanwhile, I'm headed back to the easel! Thanks for sharing my artwork with your friends and family, Kim
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The cover of "A Dog Named Blue," now available from Blurb publishers. When I first painted Amelia I never imagined that she would be re-christened "Blue" and inspire a book. In her defense, Amelia had a number of other partners in crime - animals who's portraits seemed to fall into a specific color category and prompt color-centric names. In typical ADD fashion, my brain started spinning 100mph. What if I turned those muses' paintings into a picture book for animal loving kids? I shared my idea with three friends in the industry, and they eagerly offered their expertise. I am truly indebted to them. Illustrator and author Matt Faulkner and children's book author and literacy expert Kristen Remenar edited an early version of the draft. They suggested key plot/conceptual changes that made it oodles better. Designer Elizabeth St. Hilaire Nelson worked her magic, pairing the images with perfectly color...
Ambitious but coming along great, Kim! Can't wait to see the finished product!
ReplyDeleteThanks so much for posting this "lesson", Kim! I enjoyed seeing how you approached this painting. And I'm looking forward to "part two".
ReplyDeleteThanks, Linda! I enjoyed working on this one a LOT!! hoping to find an excuse to do another similar piece soon.....
ReplyDeleteThanks, Susan - glad you enjoyed part i. :)
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