The initial block in happened overtop an orange underpainting (above).
I slowly worked my way across the panel, defining shapes and forms as I went.
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Photo courtesy of the amazing Jen Trottier. Hair courtesy of the lovely Saratoga Humidity. White House Black Market dress courtesy of the Salvation Army.
ALl photos in process of "The Stretch Run," 9" x 36", acrylics on museum quality panel, $699 unframed. Inquiries may come to me.
When in Saratoga two weeks back, I spent a day at Spa Fine Art, painting and mingling with the public. This is the piece I finished while there, a painting I left in their care. I don't doubt that they will find the perfect home for it.
Meanwhile, if you are interested, let me know, and I'll introduce you to the Spa staff. And arrange for you to see a true completed painting image, too.
Kim, who is ever so eager to start painting some of her Saratoga shots, but has to focus on more immediate deadlines (aka The Real World) first
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“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...

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