"The Morning News," 6" x 8", commissioned portrait of a black lab mix, done in Golden Open Acrylics on a Raymar panel. Nascar's parents have earned the distinction of travelling the furthest to collect their two paintings. They came to Michigan all the way from Sonoma, California for a personal hand-off. (I should probably also disclose that perhaps the promise of an Easter dinner with Michigan family factored into their decision as well.) Nevertheless, it was heartwarming to meet - and thank - them for supporting my artwork. The vast majority of my business is done via the internet, so it's always a treat to match faces to voices to emails. Thanks in advance for sharing my artwork with your friends and family. Wishing you a blessed weekend, Kim Continuing Education My kids are still pretty young and therefore I don't get the luxury of attending too many workshops for myself. So yesterday's Golden Artists Workshop led by Valerie Allen was an extra special treat! I go to spend nearly the whole day playing with various Golden Paints, mediums, and surfaces, learning all sorts of techniques. Techniques that will help me make smart and clever adjustments to my own paintings. I even learned how to paint like the old masters - see my 8" x 10" panel above? I'm no Rembrandt, but there is some promise, right?! |
The cover of "A Dog Named Blue," now available from Blurb publishers. When I first painted Amelia I never imagined that she would be re-christened "Blue" and inspire a book. In her defense, Amelia had a number of other partners in crime - animals who's portraits seemed to fall into a specific color category and prompt color-centric names. In typical ADD fashion, my brain started spinning 100mph. What if I turned those muses' paintings into a picture book for animal loving kids? I shared my idea with three friends in the industry, and they eagerly offered their expertise. I am truly indebted to them. Illustrator and author Matt Faulkner and children's book author and literacy expert Kristen Remenar edited an early version of the draft. They suggested key plot/conceptual changes that made it oodles better. Designer Elizabeth St. Hilaire Nelson worked her magic, pairing the images with perfectly color
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