"Stallone," from The Gratitude Series, 6" x 8", brindled Great Dane dog portrait, done in Golden Open Acrylics on a Raymar panel, $329. Inquiries may come to me (and thank you!). As with all the Gratitude paintings, proceeds of the sale of this painting will go to Stallone's host rescue group, Ohio Great Dane Rescue (OGDR). I participated in a live paint over the weekend at an event benefitting OGDR. I also pledged 10% of all commissions booked as a result of the weekend to OGRD. I have to thank Dog a Day collector Amy Hoban for introducing me to this group and inviting me to be a part of their day. Thanks also go out to Mary Beth and Tom from Orion Healthy Pet for hosting us all! Early Saturday, shortly after setting up my space, I was slipped a photo of Stallone. I was more than happy to put him front and center on my easel - he was a great muse and everyone really seemed to enjoy seeing his painted mug come alive over the next couple hours. Thanks to all who came out to say hello on Saturday and share their support. And a special welcome to the new Painting a Dog a Day subscribers and fans, too, whom I had a chance to meet up with. You can read more about Ohio Great Dane Rescue's mission on their website. Thanks in advance for sharing my artwork with your friends and family, Kim
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The cover of "A Dog Named Blue," now available from Blurb publishers. When I first painted Amelia I never imagined that she would be re-christened "Blue" and inspire a book. In her defense, Amelia had a number of other partners in crime - animals who's portraits seemed to fall into a specific color category and prompt color-centric names. In typical ADD fashion, my brain started spinning 100mph. What if I turned those muses' paintings into a picture book for animal loving kids? I shared my idea with three friends in the industry, and they eagerly offered their expertise. I am truly indebted to them. Illustrator and author Matt Faulkner and children's book author and literacy expert Kristen Remenar edited an early version of the draft. They suggested key plot/conceptual changes that made it oodles better. Designer Elizabeth St. Hilaire Nelson worked her magic, pairing the images with perfectly color
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