Last night, The Princess (pictured above) and I set up Tootsie Roll still lifes and did some 10 minute paintings. This is a concept I first learned in college. Back then we called them gesture studies. They were charcoal sketches done with 10/15/30 second live model poses. It was the perfect warm up to larger drawings and helped me better understand the principles of movement and balance. In painting classes I also did my share of thumbnail sketches - small studies at 4-5 minutes each of a still life setup, with the object placement or lighting shifted in each. These are a great way to figure out problems BEFORE you get to the big painting. Also key - working quickly takes the pressure off making something perfect from the get-go and allows you to focus instead on capturing the essence of your subject. I was reminded of the value of this exercise when theDaily Paintworks' challenge (a few weeks back) was 10 Minute Paintings. I've been meaning to paint me some 10 minute pieces ever since. The Princess and I had so much fun that we're repeating the exercise again tonight. This time with Cadbury eggs and breaks for homemade chocolate mousse. What should we paint tomorrow night? Thanks in advance for sharing my artwork with your friends and family, Kim
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The cover of "A Dog Named Blue," now available from Blurb publishers. When I first painted Amelia I never imagined that she would be re-christened "Blue" and inspire a book. In her defense, Amelia had a number of other partners in crime - animals who's portraits seemed to fall into a specific color category and prompt color-centric names. In typical ADD fashion, my brain started spinning 100mph. What if I turned those muses' paintings into a picture book for animal loving kids? I shared my idea with three friends in the industry, and they eagerly offered their expertise. I am truly indebted to them. Illustrator and author Matt Faulkner and children's book author and literacy expert Kristen Remenar edited an early version of the draft. They suggested key plot/conceptual changes that made it oodles better. Designer Elizabeth St. Hilaire Nelson worked her magic, pairing the images with perfectly color
Merci pour ce partage... Il est vrai que plus vite on travaille on départ, plus le poignet se délie et les automatismes aussi, ainsi nous allons à l'essentiel...
ReplyDeleteBravo Princesse.
Bisous à vous
Martine, merci, merci, merci!! :)
ReplyDelete