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Rubbing elbows with The Master, Stanka Kordic, who's work is at top left. Today we painted alla prima (meaning wet on wet, in one cohesive session) from a live model. The approach was a little different than previous efforts set down overtop prepared grisaille underpaintings, but the expressive potential was just as enormous. AND, I got so excited watching her paint, I decided to try my hand at oils again. It's your job now to hold me to that. Just let me ride The Derby Wave first.... (I know, famous last words)
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“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...

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