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All finished, "Caught," 8" x 12", acrylics on copper panel, portrait of a Golden Retriever complete with ball, $849 to the first asking nicely. As always, inquiries may come to me.
I've been thinking a lot about Daily Painting, the habits it has instilled in me, and how they might - or might not - serve the final painting.
One of my takeaways from my nearly 10 years of daily painting is that, originally, my goal was to complete a painting in a day. In the beginning, painting a 4"x5" portrait in one day was a big challenge, and as I became more comfortable with that, I expanded my focus to include larger and then more complex paintings.
However, I have realized that limiting myself to one day just isn't the best approach for the sort of artwork I now want to create. I need to simmer with the paintings, consider and try out various solutions to my intended end. And that can't be boiled down into a specific length of time. So, it's time to break an old habit.
So, with that in mind, you will be seeing more in process posts on this blog. And you will definitely see paintings spending more than one day on my easel. All for the greater good of making better art.
Because that's my ultimate goal, to continue to make stronger paintings.
Also, I would be remiss to not give a nod to the first artist who showed me it was ok to be different - David Bowie, thank you for embracing originality and authenticity even when it bucked the norms. You bravely ventured into unchartered lands and never compromised who you were or what you made. I aspire to continue to live your example.
Thanks for your interest in my artwork,
Kim
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“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...

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