“Phoebe,” 8x10, commissioned poodle pet portrait in acrylic on canvasboard, private collection (THANK YOU!).
Phoebe’s photos arrived last summer with a letter that brought me to tears. It was such a beautiful testament about connecting with the soul of an animal, carrying a piece of them with you, even when they were gone. I wanted to push all my other projects aside, and paint her immediately – it felt so heartless to ask my client to wait months for her painting. But that she did, patiently.
Thank you – not just to Phoebe’s mom, but to all of you, who are patiently waiting your turn.
Your turn for a painting - I’m booking into October 2008 now.
Or maybe even your turn for a reply - yes, I am still buried in email inquiries – but tonite I am going to whittle them down substantially! I’ve got a pan of warm brownies and a quiet house – just the sorts of makings for high productivity!!
I continue to be astounded by the response my work is generating. I am so very grateful for each of you.
And for my furred little subject’s, each one with a story just as dear as the next.
Keep ‘em coming!!
Thanks, as always, for looking.
And for sharing these paintings with your friends and family,
See you tomorrow,
Kim
Kimberly Kelly Santini
http://www.turtledovedesigns.com/
distinctive pet portraits
& 4-legged paintings
http://www.paintingadogaday.com/
come. sit. stay.
enjoy the art.
Founding member of the Canine Art Guild
http://www.canineartguild.com/
the gateway to canine art on the web
The cover of "A Dog Named Blue," now available from Blurb publishers. When I first painted Amelia I never imagined that she would be re-christened "Blue" and inspire a book. In her defense, Amelia had a number of other partners in crime - animals who's portraits seemed to fall into a specific color category and prompt color-centric names. In typical ADD fashion, my brain started spinning 100mph. What if I turned those muses' paintings into a picture book for animal loving kids? I shared my idea with three friends in the industry, and they eagerly offered their expertise. I am truly indebted to them. Illustrator and author Matt Faulkner and children's book author and literacy expert Kristen Remenar edited an early version of the draft. They suggested key plot/conceptual changes that made it oodles better. Designer Elizabeth St. Hilaire Nelson worked her magic, pairing the images with perfectly color
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