“The Purple Collar,” 6x12, acrylic dog collar painting on canvasboard, $200 to the first buyer. Inquiries to ksantini@turtledovedesigns.com .
This one was really fun. I started out by toning the canvas a very light violet, and then loosely drew in the shape of the collar. By dry brushing and scrubbing at the earliest stages, I was able to get the shape of the shadow painted without any hassles at all. Then it just became a matter of using gradually tightening brushwork to define the webbing of the collar, and the tags themselves. Just because I could, I then dropped in some pure pigment in a couple of places nearest to the tags, in order to create a focal point.
There is a nice abstract quality to this painting – just the simple shapes, and some basic color. I think this is one of my favorites based purely on that.
I am always accepting donations of dog tags, licenses (expired!), collars, and other ephemera for inclusion in this still life project. Please include a self-addressed, stamped envelope with any items you wish returned. Materials may be sent to the studio at 346 N Anderson, Lake Orion, MI 48362.
Thanks, again, for your time.
Have a great evening,
Kim
Kimberly Kelly Santini
http://www.turtledovedesigns.com/
distinctive pet portraits
& 4-legged paintings
http://www.paintingadogaday.com/
come. sit. stay.
enjoy the art.
Founding member of the Canine Art Guild
http://www.canineartguild.com/
the gateway to canine art on the web
The cover of "A Dog Named Blue," now available from Blurb publishers. When I first painted Amelia I never imagined that she would be re-christened "Blue" and inspire a book. In her defense, Amelia had a number of other partners in crime - animals who's portraits seemed to fall into a specific color category and prompt color-centric names. In typical ADD fashion, my brain started spinning 100mph. What if I turned those muses' paintings into a picture book for animal loving kids? I shared my idea with three friends in the industry, and they eagerly offered their expertise. I am truly indebted to them. Illustrator and author Matt Faulkner and children's book author and literacy expert Kristen Remenar edited an early version of the draft. They suggested key plot/conceptual changes that made it oodles better. Designer Elizabeth St. Hilaire Nelson worked her magic, pairing the images with perfectly color
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