"Brutus," 8" square, commissioned Boxer portrait, done in Golden Open Acrylics on a canvas panel. If you recognize this guy, please keep quiet - Brutus's portrait will be a Christmas gift from his family. We don't want to ruin the surprise! While I painted Brutus, I had an extra kitten appendage. I kid you not. Mona's gotten rather spoiled, and thinks it is her right to be cradeled in a warm lap or perched on shoulders at her every waking moment. I'm not complaining - I'm all for a demanding muse that will keep me on my toes. And love that she's a lap magnet when I'm on my butt. But I'm so not a fan of the literal clawing up my legs if I don't pick her up immediately. And the batting from said shoulder perch at the paintbrush in my hand - not such a great thing either. Nor the freefall from said shoulder to taboret, resulting in spillage and a flurry of brushes and palette knives. Finnigan just lies under the easel and ignores her. I'm guessing he thinks if he stops looking at her, she'll disappear. I'm afraid if I stop looking at her, she'll find a new mess to get herself tangled in. So meanwhile, I painted with her cradled in the crook of my left arm, keeping paws away from the brush and my body between her and the taboret. I wonder what Brutus would do with a kitten on his shoulder? Maybe that's why he looks grumpy - he's got a kitten appendage too. Thanks for looking at, and sharing, my artwork with your friends and family - Kim PSST - I'm still accepting holiday commissions. Email me to get on my calendar!
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The cover of "A Dog Named Blue," now available from Blurb publishers. When I first painted Amelia I never imagined that she would be re-christened "Blue" and inspire a book. In her defense, Amelia had a number of other partners in crime - animals who's portraits seemed to fall into a specific color category and prompt color-centric names. In typical ADD fashion, my brain started spinning 100mph. What if I turned those muses' paintings into a picture book for animal loving kids? I shared my idea with three friends in the industry, and they eagerly offered their expertise. I am truly indebted to them. Illustrator and author Matt Faulkner and children's book author and literacy expert Kristen Remenar edited an early version of the draft. They suggested key plot/conceptual changes that made it oodles better. Designer Elizabeth St. Hilaire Nelson worked her magic, pairing the images with perfectly color...
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