Skip to main content

Dont-Give-a-Care Bear


"Dont-Give-A-Care Bear," 16" x 20", mixed media on museum quality panel, a continuation of my Year of the Spark studies. At first I thought I could part with this one, but really, I can't. So, next best thing, it is uploaded on FineArtAmerica. I think Bear is a fine companion to Under a Van Gogh Sky, and together they would look fantastic in a playroom. Inquiries can always come to me, and thank you so much. 

I thought the Year of the Spark class would renew my passion for painting. I never expected it to push me into entirely new directions. And yet, here I am, creating work I'd not even imagined a few short weeks ago.
 
These "totem paintings" (so named because the central figure seems imbued with a symbolic presence) were seedlings in the winter, with contours done on clear plastic layered overtop other drawings. A dialogue started between the objects and stories formed that stretched beyond the surface.

I especially love that I can build a storyline from these paintings that is entirely different than anyone else's. Sort of like those Choose Your Own Adventure books.

I am also enjoying the freedom of scale and imagination - each object is painted from life (or memory), then knit together with pattern and color. I can delight in capturing something just as it is, or I can twist the reality and add my own special sauce.

There's more of these in my future, though - they are teaching me a lot! 

Meanwhile, I am booking a few select commissions to carry me into the fall. And finalized details today for my next two workshops - one in Baton Rouge in September, and another in Ann Arbor October. Those will be your final opportunities to paint with me until the New Year.

Thanks, as always, for following along with my artwork,
Warmly, Kim 

Comments

Popular posts from this blog

“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...