Skip to main content

Authenticity, Part II

At this stage, anything's possible...... a view from behing my easel, all set up and ready for this afternoon's painting session.
 
 

Let me start of with a warm and sincere "thank you" to those who emailed and messaged their support afteryesterday's little confession.

 
I am the poster child for rabid optimism. Which means that this dilemma seems impossible for me to wrap my head around and embrace.

 
What? no glittery rainbow? no dancing unicorns?

 
Nope. At least not today.

 
Some of the most profound discoveries come from difficult places. That doesn't mean I have to like it or even pretend it isn't happening, that I'm in an uncomfortable spot and not sure how to move on.

 
Apparently the plight of being lost in the creative wilderness is one shared by many. It surprises me there isn't a wild party happening in here, but maybe I've not wandered about for long enough.....

 
Let me go on record - I assure you I'm not packing up my brushes. Nor will I make any sort of hasty retreat. Or paint cows every day.

 
This month marks the beginning of my 7th year as a daily painter and blogger. This is a commitment that has enriched my life immeasurably, and I know it is also what will carry me through to the next phase.

 
So thank you AGAIN for supporting me. Warm chocolate chip cookies for everyone - I'm moving to the easel (you can follow along with the quad-portrait I'm starting this afternoon over on Facebook).

 
Fondly,
Kim, who is still quivering in her Wonder Woman cons but feeling empowered by all the superheros in the Painting a Dog a Day community
 
 

Comments

  1. OOOw. I missed your confession. Was it juicy?

    ReplyDelete
    Replies
    1. here you go, Miriam - you can decide just how juicy it is!! http://paintingadogaday.blogspot.com/2012/10/authenticity.html

      Delete

Post a Comment

Popular posts from this blog

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...

Grindstone

"Grindstone", 16" x 20" acrylics on museum quality panel, depicting Grindstone, just a few strides away from winning The Kentucky Derby in 1996. Read more about this painting's story below - it's a good one! And inquiries may come directly  to me .  Paying it Forward Shortly after getting The Derby Gig, which neatly dovetailed my childhood passion for horse racing with my grown up obsession with painting, I started formulating a plan to give back to the universe. As it played out, The Kentucky Derby Museum got involved, and it was decided I would donate a piece to them, something they could use as a fundraising tool to further their education efforts.  "Would I be interested in painting Grindstone, the winner of the 1996 Derby?" they asked. But of course! Little did I know the background story, though. Every year the Museum asks the owners of the Kentucky Derby winner to donate one breeding to the Museum when th...

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...