Skip to main content

Personal Cairns


 

A mixed media collaged spread from my journal (detail below), including hand painted papers and ephemera, stamping, tea staining, song lyrics, and personal affirmations. Tonite's journallistas will use ink and watercolors to stain paper scraps, and build cairns/totems of their own.

 
I teach journalling classes to children and adults year-round, and new students are always welcome. Each class introduces new methods or art concepts, and participants are encouraged to experiment. No previous journalling experience necessary, nor is any particular skill level with art materials/concepts needed.

 
Ask about upcoming classes!! And thank you!!

 
 

It was a delightful morning to make a roadtrip. I don't allow myself out of the studio that often (I'm too easily distracted!), so it's an extra special treat when I get out into the real world on occasion. I made the most of the sunshine, singing along to Pandora Radio and an iced coffee. 

 
I did a little antiquing on my way home (snagged a vintage flying pig made from a salvaged iron kettle/can which I cannot WAIT to string up in one of our ancient trees) and grabbed take out at the kids' favorite diner (Tony's in Birch Run, Michigan) so as to surprise them with BLTs for dinner (who's calling me Mean Mom now?).

 
Alas, I did not return in time to work at the easel. And tonite is my grownUPs Journalling class, so I am sprung until the morning.

 
Hoping you have a fabulous evening yourself!
 
Thanks, as always, for following along with my artwork,
Kim
 



A detail of one of my cairns, including lyrics 
by Tori Amos and my own misspelled affirmation
to embrace uniqueness
Labels:

Comments

Post a Comment

Popular posts from this blog

“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...
Post a Comment
Read more

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...
33 comments
Read more

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...
11 comments
Read more