Skip to main content

What to Call This One?


 
 
 

Details of the panoramic painting currently on my easel, and also currently untitled. This piece (pictured in it's entirety below) is 5" high by 22" wide. This is a challenging painting to photograph, given it's dimension. Forgive the tiny images!

 
I have several consults this afternoon and hope to return to the studio later, but just in case, I thought I'd share now, and take the pressure off for later.  

 
In process views of this painting are updated on thestudio's Facebook page.

 
Inquiries can always come to me!!! And thank you!!

 
 

 
 

Great news!! I need to replenish my painting inventory at Spa Fine Art in Saratoga Springs, New York, and this is my latest candidate.

 
This one honors Melissa, who's birthday should have been today. That gray horse in the lead is in her memory, for noone loved grays quite like she did. Every gray horse that crosses my path now is a reminder to find beauty in each moment, because few of us ever have enough of them.

 
Moments, that is. Although I suppose the same could be said for gray ponies.

 
Thanks, as always, for supporting and sharing my art with your friends and family,
Kim
 

Labels:

Comments

  1. martinealison2:38 AM

    Je voudrais bien m'asseoir derrière ton chevalet et être juste là à contempler...Gros bisous

    ReplyDelete

Post a Comment

Popular posts from this blog

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...
33 comments
Read more

Grindstone

"Grindstone", 16" x 20" acrylics on museum quality panel, depicting Grindstone, just a few strides away from winning The Kentucky Derby in 1996. Read more about this painting's story below - it's a good one! And inquiries may come directly  to me .  Paying it Forward Shortly after getting The Derby Gig, which neatly dovetailed my childhood passion for horse racing with my grown up obsession with painting, I started formulating a plan to give back to the universe. As it played out, The Kentucky Derby Museum got involved, and it was decided I would donate a piece to them, something they could use as a fundraising tool to further their education efforts.  "Would I be interested in painting Grindstone, the winner of the 1996 Derby?" they asked. But of course! Little did I know the background story, though. Every year the Museum asks the owners of the Kentucky Derby winner to donate one breeding to the Museum when th...
Post a Comment
Read more

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...
11 comments
Read more