Skip to main content

Van Gogh

 
The singular Vincent Van Gogh, "Bedroom at Arles", 1889 (the third version he painted), now on display at theDetroit Institute of Arts, courtesy of the Musee D'Orsay in Paris, France. Photo courtesy of the Musee D'Orsay.
 
 

Yesterday I got to spend a few minutes alone with one of my most favorite painters in the whole world and one of his most compelling images.

 
It's not just his imagery that I find so compelling. It is his voice, his ideas, shared so honestly in letters to his family and friends, that drives my infatuation (if you are so inclined, please read The Yellow House - it will change your life).

 
Van Gogh wasn't the first artist to feel as though hecouldn't capture the essence of a subject in his work. But he was one of the first to paint more than a mere likeness. He took reality, our shared reality, and infused it with his emotional energy. Some of his feelings we immediately connect with, like the awe of a vast and starry night. Others are a little more difficult to fathom, like the tortured brushwork inside his later self-portraits.

 
And this painting, this room, this is the space where he fought with his demons, not just literally while painting (which he did multiple times), but literally while he lived there. Beyond depicting the details of his surroundings, the painting summarizes the struggle any creative soul has with their inner critic or muse. And it simultaneously brings along the promise of a new day, another chance, a clean slate.

 
Sharing the same space with this painting brought me to tears (and The Princess quietly moved to the back of the gallery, giving me a chance to collect myself). And a full day later, I am still light headed.

 
I am proud to be an Art Geek!
Kim

Living With Van Gogh

 

 
I love Van Gogh so much that I've painted two VG-esque murals in my home - one on the ceiling of the front porch (pictured above, inspired by his Starry Night) and another on the floor of the back porch (pictured below, inspired by his Irises).


They remind me to make more time to savor the color and majesty of our world.

 

Comments

  1. never seen that painting before, i really need to do more research about him. would love to see the work in person

    ReplyDelete
  2. Oh, Jennifer - you need to see more of his work! it's entirely different viewing in person vs online/printed - there is a dense tactile quality to the density of paint, and you can literally trace with your eyes his gestures as he painted. It's amazing. :)

    ReplyDelete

Post a Comment

Popular posts from this blog

Picture Book "A Dog Named Blue" - now available!!

The cover of "A Dog Named Blue," now available from Blurb publishers. When I first painted Amelia I never imagined that she would be re-christened "Blue" and inspire a book. In her defense, Amelia had a number of other partners in crime - animals who's portraits seemed to fall into a specific color category and prompt color-centric names. In typical ADD fashion, my brain started spinning 100mph. What if I turned those muses' paintings into a picture book for animal loving kids? I shared my idea with three friends in the industry, and they eagerly offered their expertise. I am truly indebted to them. Illustrator and author Matt Faulkner and children's book author and literacy expert Kristen Remenar edited an early version of the draft. They suggested key plot/conceptual changes that made it oodles better. Designer Elizabeth St. Hilaire Nelson worked her magic, pairing the images with perfectly color...

Tabby Kit

"Tabby Kit," 5" x 7", acrylics on a museum quality panel, depicting a tiny little orange striped guy from Morgue File . This painting can be yours for $289, which includes s&h inside the US. And in case you didn't see it, a little doodle of him is also available for sale here . Inquires may come directly to me .  Although it certainly doesn't FEEL like spring here (snow and ice and wind chills, brr!), I can tell that spring is coming. The mercury is rising a wee bit each day and the days are getting longer and brighter. Over the weekend we drove with the moonroof open just to feel the sun's meager and oh-so-very-welcome warmth (although the heat in the car was cranked, too, in the interest of full disclosure!). I wanted to work with spring-like colors today, and this little guy was still on my mind , so I grabbed a small panel and got to work. Of course, I also have Poppy to finish and some changes to make to another po...

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...