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Day One of any workshop involves a demo-while-I'm-talking-performance. It can be hit or miss, and I'm sort of at the mercy of my muse and the space and my students. Today I was not disappointed by any of the above. I talked about building a composition, editing the reference to match one's idea, consciously choosing a color scheme, and building layered, gestural brushwork.
"Floating Dorit," roughly centered on an 11" x 14" bristol board, done in acrylics, $200. Inquiries may come to me.
That's the name of my 2 day intensive workshop.
In 2 days we focus on how to see color with fresh eyes and how to translate what we see into juicy, gestural marks.
It's a good time, as long as you have your running shoes on and are well rested.
Lots of photos are being shared on my Facebook page.
And information on future workshops is always here.
Thanks so much for supporting my artwork,
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“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...

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