Day One of any workshop involves a demo-while-I'm-talking-performance. It can be hit or miss, and I'm sort of at the mercy of my muse and the space and my students. Today I was not disappointed by any of the above. I talked about building a composition, editing the reference to match one's idea, consciously choosing a color scheme, and building layered, gestural brushwork.
"Floating Dorit," roughly centered on an 11" x 14" bristol board, done in acrylics, $200. Inquiries may come to me.
That's the name of my 2 day intensive workshop.
In 2 days we focus on how to see color with fresh eyes and how to translate what we see into juicy, gestural marks.
It's a good time, as long as you have your running shoes on and are well rested.
Lots of photos are being shared on my Facebook page.
And information on future workshops is always here.
Thanks so much for supporting my artwork,
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The cover of "A Dog Named Blue," now available from Blurb publishers. When I first painted Amelia I never imagined that she would be re-christened "Blue" and inspire a book. In her defense, Amelia had a number of other partners in crime - animals who's portraits seemed to fall into a specific color category and prompt color-centric names. In typical ADD fashion, my brain started spinning 100mph. What if I turned those muses' paintings into a picture book for animal loving kids? I shared my idea with three friends in the industry, and they eagerly offered their expertise. I am truly indebted to them. Illustrator and author Matt Faulkner and children's book author and literacy expert Kristen Remenar edited an early version of the draft. They suggested key plot/conceptual changes that made it oodles better. Designer Elizabeth St. Hilaire Nelson worked her magic, pairing the images with perfectly color...
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