"Three Wide," 8" x 16", the newest Thoroughbred racehorse painting from the "Saratoga Series," done in Golden Open Acrylics on panel, $649 to the first one saying "pretty please." Inquiries may always come to me. This painting is nearly finished, after today's approximately 8 hours of alla prima (meaning wet paint into wet paint) work. There's nothing like a looming deadline to get my butt away from the computer and in front of the easel. There's a deadline of tomorrow to submit a painting with the theme of "History" for publication consideration. I've known about said deadline for a year. But inspiration grows strongest in the final hours...... Not sure why I chose as complex a design as this to complete in one day (anyone else voting for insanity?).... Regardless, I thoroughly got into it - and stuck to it, despite a good 3 hours of being mired deep in "The Uglies." ("The Uglies" is the developmental stage paintings go through where nothing melds and every brush mark seems wrong - sort of like a painting's version of teen angst. The artist must persevere, hold tight to their vision, and power through.) Tomorrow I'll spend a little time making a few final adjustments (fresh eyes will help tremendously) before sending my submission off. Then I'll light a candle, cross my fingers, and hold my breath. And start a new painting. Meanwhile, who do you think won the race? Thanks for looking at, and sharing, my artwork with your friends and family - Kim PSST - I'm still accepting holiday commissions. Email meto get on my calendar!
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“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...
It's looking great, Kim! I've been challenged by compositions to fit into those 8 x 16 panels...this works perfectly! :-)
ReplyDeletethanks, Linda! I originally had the horses smaller (wanted the outside one's entire body included) but I was missing out on all the juicy detail, so cropped them tighter. I'll do a similar painting on a larger scale, and include their bodies and more of the track/rail. It'll be a good comparison for me. :)
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