(Almost finished) "Gypsy Falls," 10" x 12", portrait of a Gypsy Vanner mare, done in Golden Open Acrylics on Raymar panel, $529 to the first one asking nicely. (This would be a KILLER Valentine's Day gift!!) I've been doing some mid-winter spring cleaning in the studio, and came across this painting, which I had begun - but never finished - over 2 years ago. You can see how she looked this morning in the image below. That happens to me quite a bit. I get to a point where I can see the potential but don't trust completely in my ability to deliver. When this happens, I tuck it away until I can look with fresh eyes (and newly honed skills) and have another go. That's what's happened with this girl. And I thought she was done an hour ago, but I see now that I want the bottom of her tail pinker, like in the "before" version. I want the light on it to be warm and glowing, and the yellow, while beautiful, doesn't convey that sense. This is an easy fix. Then, a coat of varnish and she's ready to find a home. Meanwhile, thanks, as always, for supporting my artwork! Kim PS We're in the homestretch here with respect to this month's 10% newly booked commissions. The project has to be booked during this January, but can happen any time during 2011. Shoot me an email if you are interested! I booked 9 new portraits last week - let's see if we can't match that this one!! Before This is a mare I met at an equine breed parade in the fall of 2008 - I shot oodles of photos of both her and her little filly. She is a Gypsy Vanner, a breed that I adore painting. Their dramatic markings, draft confirmation, and heavy feathering makes for fantastical subject matter. Add in some soft backlighting and it becomes almost too good to be true. |
“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...
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