"Drip Dry," 9" x 12", painting of a German Shorthaired Pointer, done in Golden Open Acrylics on an Ampersand Gessobord, from September 2010's Painting a Dog a Day project. Been doing paperwork all morning - paying bills, projecting operating expenses for the new year, planning marketing campaigns, and archiving computer files. It's becoming obvious that I won't have time to paint today - between a PTA meeting, basketball carpool, two music lessons, and a drumline carpool - my afternoon and evening is pretty well already consumed. Meanwhile I thought I'd at least share a few images with you, paintings I'm considering sending out into the world of juried exhibitions. I'll let you know which ones end up going where, but meanwhile enjoy the eyecandy! Oh, and if you haven't already visited the Canine Art Guild's new online exhibition, please do. This one features all shelter and rescue dogs with cash prizes going to the shelters affiliated with the paintings receiving the most popular votes. Thanks, as always, for supporting my artwork! Happy New Year, Kim PS Are you thinking about 10% off newly booked commissions ?? the commission has to be booked during January, but can happen at any time of this year. Shoot me an email if you are interested! |
“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...
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