Skip to main content

NEW PAINTING Full Moon (a Portrait of Blue)

 

"Full Moon (a portrait of Blue)," 14"x18", acrylics on panel, Not currently for sale (I intend to enter this piece in a juried exhibition where it must be for sale), but if you are interested in acquiring this painting in a couple months, inquiries can always come to me.

I love my Blue. As they say with rescue animals, who rescued who? and that's certainly the case with this little guy, who is teaching me to slow down and be clearer and deliberate with my actions. He's also amplified the joy present in my life a thousand fold.

Spiritual wisdom tells us that a full moon is a symbol of a heart-centric, new beginning. I believe that our world is readying itself for just that, as vaccines are disbursed and we begin our post-pandemic lives. And who better to amplify that beginning than a little rescue dog, who came to us after 4 other households decided he wasn't the right fit for them.

ALSO (a little reward for those of you who are still reading!) I will be leading a live pet portrait demo on May 18th via zoom. You have been asking for years for an online learning experience like this, and I've finally learned enough technology to be able to do so!! Additional information, including ticket purchase details, is here. Don't wait too long - the event is limited to 100 seats! I hope you can join us - and if you cannot, the recording will be available for self-study/online streaming after the fact.

Thanks for following along on my painting journey.
Be well,
Fondly, Kim

Labels:

Comments

Post a Comment

Popular posts from this blog

“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...
Post a Comment
Read more

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...
33 comments
Read more

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...
11 comments
Read more