Skip to main content

“Molly (Yorkshire Terrier),” 4” x 5”, pet portrait in acrylic on canvasboard, private collection (thank you!).

I didn’t feel fair sitting down to paint Molly just a little bit ago. It’s been a full day, and I am beyond tired. Started with a final house purge (had to get all the non-essentials out and to the salvation army before my kids brought lockers and cubbys full of goodies back in), then squeezed in end of school year class parties with tearful goodbyes to some of the best teachers on earth, followed by celebrating the onset of summer at the beach (how could I say no? They’ve been trapped in classrooms for the last 9 months).

I would have loved to have crawled into bed after tucking mine in.

But I still had today’s dog to paint (and a host of wet towels and swimsuits to deal with, too).

So, even though it felt like Molly was getting the short end of the stick because I was so tired, I set up my palette, put on some soothing music, and got to it.

And she pretty much painted herself. I got lucky tonite, that’s for sure!!

Now it’s off for a little bit of quality time with a good book, and then some rejuicing for tomorrow’s inevitable mayhem. Oh yeah. And the dryer just dinged, so there’s towels to fold.

Thanks, as always, for looking.
And for sharing these paintings with your friends and family.

Kim


Kimberly Kelly Santini

www.turtledovedesigns.com
distinctive pet portraits
& 4-legged paintings

www.paintingadogaday.com
come. sit. stay.
enjoy the art.

Founding member of the Canine Art Guild
www.canineartguild.com
the gateway to canine art on the web

Comments

Popular posts from this blog

“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...