Skip to main content

Fetch, Cocker Spaniel

"Fetch," 10" x 12", acrylic on raymar artists panel, depicting a blue roan English Cocker Spaniel. This is the second in a series of pieces I am creating starring two wonderful little guys, and my client will get first pick. Meanwhile, inquiries may always come to me. 
 
You saw Eric's back side in yesterday's "Fall Foliage" painting, and today you get a peek at the troublemaker's mug. Just like yesterday's piece, this painting is far larger than what I typically paint in one day, yet this one practically fell off my brushes this morning.
 
I treated the background like an abstract painting (betcha didn't know I used to create mammoth color field abstract paintings!). Once I had achieved the value patterns that I wanted, I went in overtop and added looser marks in gradually smaller sizes and shapes to create a vibrant and interesting surface. There is that suggestion of space when one steps back from the piece, yet up close it is fascinating to study.
 
It's also important to make certain that the background played second fiddle to Eric. His body carries the most contrast, the crispest edges, the greatest range of color, and the most energetic of the brushwork. I can just see him dancing across the lawn, fringe swaying, ears swinging, and tail wagging. I love the sense of atmosphere and place that this painting conveys.
 
Ironically, my client asked for Eric's portrait to be similar to another painting of mine "Glee." This afternoon's mail brought the news that "Glee," along with "Pink,"  were juried into the prestigious 2009 Art Show at the Dog Show in Wichita, Kansas. I'm honored to be a part of this year's exhibition and especially pleased that the Dog-a-Days will be well represented!!
 
Thanks, as always, for sharing my art.
See you tomorrow,
Kim
ksantini@turtledovedesigns.com
www.turtledovedesigns.com

Comments

Popular posts from this blog

“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...