Skip to main content

Painting (Two) Dogs-a-Day - Meet Abbey


BOTTOM'S UP: "Mmm, Good Stick! (Abbey)," 8" x 10" and "Bleached Blonde (Abbey)," 6" x 8." Both portraits of a Yellow Labrador Retriever done in acrylic on canvasboard, both headed to a new home. It's super easy to commission a pet portrait of your own - inquiries may always come to me.
 
Sometimes I get so caught up in the actual painting process that I lose sight of consciously striving for that physical likeness. It's tougher for me to gauge this when I'm working from compellingly gorgeous photos of a dog I've never met.
 
That was the case today - I started with the smaller landscape, and became absorbed by all the lavenders, oranges and blues in the shadow of Abbey's neck and shoulder. I love the atmosphere in the painting, but the painting itself seemed more about the setting and not as much about the personality of the dog. I wasn't certain this was what my client wanted.
 
That's ok, I thought - I'll try the stick on the beach composition, where the focal point IS her face, and I'll really concentrate on nailing it and keeping Abbey forefront. A few hours later, when I emerged from the juicy brushwork and layers of inviting paint, I realized I had done it again - been painting for an extended amount of time without once measuring my drawing or checking for a likeness. Thankfully I hadn't gone far off track, and was able to reel Abbey in with a little concentration.
 
My client loved the paintings so much that she has opted to take them both, and for that I sincerely thank her. 
 
I'll be back tomorrow with another endearing face.
Thanks, as always, for your time following my paintings and sharing them with your friends and family,
Kim

Comments

Post a Comment

Popular posts from this blog

“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...