Skip to main content

Great Expectations (Rerun)

This one's an oldie but a goodie. "Great Expectations," from May 25th, 2007 (the first year of Painting a Dog a Day), painting 6" x 6" finished to a perfect 12" square, depicting a Pomeranian dog, exquisitely framed, $349. Inquiries may come to me.
 
This little gem has made her rounds to a number of juried exhibitions, winning hearts and awards across the state of Michigan. She's now back in the studio and looking for a new home - will it be yours?
 
I spent today finishing up another painting for the Amsale Gessesse Memorial Foundation (am awaiting approval on the image before I share). I also continued work on a new exhibition piece for an art show devoted to automobiles - of course my entries revolve around dogs and their love of car rides.
 
Tomorrow will be spent finalizing my newest painting (working title "Backseat Drivers") and editing the studio newsletter, which should have been completed before school let out. Just not enough hours in the day!
 
But tonite it's an early (for summertime) turn in. Have a new book to curl up with and a fresh box of wheat thins - not the Mission to Marzipan Ben & Jerry's that I really want, but a compromise. 
 
Thanks as always for looking at and sharing my paintings.
See you tomorrow,
Kim
Labels:

Comments

Post a Comment

Popular posts from this blog

“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...
Post a Comment
Read more

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...
33 comments
Read more

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...
11 comments
Read more