Skip to main content

Origami (Broncs #1)


Origami (Broncs #1), 8" x 16", acrylic on canvasboard, depicting a variety of broncs, $599 to the first taker. Inquiries may always come to me.

My friend Donna Ridgway is a gifted artist and photographer. Last summer she took a series of rodeo shots, photos which called to me so strongly I asked for permission to paint them. I purchased the rights to create a series of paintings from her photographs, but hadn't gotten the chance to get the pieces started until today. (By the way, Donna sells both reprints of her photos and copyrights, in addition to her artwork - you can catch up with her life here.)

And I started today simply because of a looming deadline. I have yet to get juried into Ex Arte Equinas, a prestigious equine art exhibition and publication, but being the eternal optimist, I am not nearly ready to throw in the towel. Nothing's due till the end of October, so I've still got plenty of time to continue tweaking and working these ideas out.

Meanwhile, the notecard storefront is coming along! I'll be open for business tomorrow, so if you are interested in ordering cards with a Painting a Dog a Day image on them, let me know what you are looking for so that I can get it set up.

Thanks, as always, for looking at - and sharing - my artwork with your friends and family.
Kim

Comments

  1. Hi Kim, I just wanted to let you know I gave you a little blog award, no big deal, but you can check it out on my blog at
    http://dogmomdiva.blogspot.com/
    hugs
    Barb

    ReplyDelete
  2. Barb, thank you so much - blog awards are a big deal, and I wish I could invest time in acknowledging and passing them on. I need to clone myself so that you and everyone else knows I am not ungrateful for these gifts - which it is, your time and attention, a tremendous gift.

    THANK YOU!! :)

    ReplyDelete

Post a Comment

Popular posts from this blog

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...

Grindstone

"Grindstone", 16" x 20" acrylics on museum quality panel, depicting Grindstone, just a few strides away from winning The Kentucky Derby in 1996. Read more about this painting's story below - it's a good one! And inquiries may come directly  to me .  Paying it Forward Shortly after getting The Derby Gig, which neatly dovetailed my childhood passion for horse racing with my grown up obsession with painting, I started formulating a plan to give back to the universe. As it played out, The Kentucky Derby Museum got involved, and it was decided I would donate a piece to them, something they could use as a fundraising tool to further their education efforts.  "Would I be interested in painting Grindstone, the winner of the 1996 Derby?" they asked. But of course! Little did I know the background story, though. Every year the Museum asks the owners of the Kentucky Derby winner to donate one breeding to the Museum when th...

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...