Skip to main content

Maya, Inspiration Times Four

"Maya," 6" x 8", Golden Open acrylics on canvasboard, portrait of a rescued Cattle Dog/Red Heeler, $324, with proceeds supporting my local no-kill shelter. Inquiries (including booking your own pet portrait, from miniature size [4" x 4"] to larger than life) may always come to me.

Maya has inspired quite a few lives. Firstly, she captured someone's eye and was pulled from a shelter and sent to a cattle dog rescue. Maya's current "Mom" learned of her via word of mouth and investigated. Living with the high energy and intelligence of a cattle dog takes a special person - these dogs aren't for everyone. But this match, Maya and her new Mom, was a perfect one. She now lives with her extended family in a home where she gets the mental stimulation, activity level and the unconditional love that these dogs thrive on.

Maya then inspired photographer Beth Adams (Candid Canine Photography), who shared imaged from their photo session with me. Beth saw the visual connection between Maya's photos and my artwork in the fall of light and soft range of colors. Then she learned I was owned by a cattle dog myself. The rest is history.

Because Maya then inspired me to paint her. Two times over. You see her Dog-a-Day painting above, and below is a new collage (I'll borrow Elizabeth St Hilaire Nelson'sphrase "paper paintings") also bearing her likeness. This image is the cover of the guest book I'm creating for my "Happily Ever Afters" exhibition at Best Friends Animal Sanctuary next month. It was created using layers of painted papers, scrapbook paper, tissue, foil, acrylic paint and other printed materials.

The guest book will carry rescue stories and experiences from people who are able to view the show as well as collectors of Dog-a-Day paintings. The contributions will eventually be edited and published as a stand-alone volume, with proceeds benefitting homeless animals. More details to follow, so stay tuned to this Bat-Channel.

Thanks, as always, for looking at - and sharing - my artwork and musings with your friends and family.
Kim

TWITTER: ksantini
SHOP ORIGINALS & LIMITED EDITION GICLEES: at my Etsy shop
ORDER CUSTOMIZED NOTECARDS & REPRODUCTIONS: at Imagekind
COMMISSION A PET PORTRAIT: contact me
GIFT CERTIFICATES AVAILABLE: contact me
READING MATERIAL: Preview and order each of the Dog a Day books at the publisher's website: The First Year (2006-2007) and That's 14 in Dog Years (2008). If you would like your copy personalized, order them through me.

Comments

  1. wow, the guest book project sounds FANTASTIC! I love your use of magazine lettering in there on your portrait of Maya. how nice. and all the color is fantastic. especially love the light blues and greens down the middle of her face. nice job!

    ReplyDelete
  2. Love the hot summer colors on notebook.. Exciting brushwork. such deserving subjects! congrats on nearly 1000.

    ReplyDelete
  3. Thanks, Elizabeth. I need to paint me some more papers.... ;)

    ReplyDelete
  4. Thank you Candy! :) these are my sorts of colors, too.

    ReplyDelete

Post a Comment

Popular posts from this blog

“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...