"One Plus One," 8" square, portrait of two cows, done in Golden Open Acrylics on an Ampersand Gessobord, $399 to the first one asking nicely. Inquiries, including starting that long-awaited discussion about your special commissioned portrait, may come to me. There are certain compositional rules in art, one being never put your focal point in the middle of your canvas. Another is not to break your painting up into equal spaces with the lines/structure of your composition. "Nah nah nah nah nah nah," is what I say. Sometimes, rules are meant to be broken. Many thanks to my friends Elizabeth and Doug Nelson for the sharing of their bovine muses. (I did get out of the studio recently and made the acquaintance of some longhorns and a handful of sheep, so stay tuned!) Thanks for sharing my artwork with your friends and family, Kim
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The cover of "A Dog Named Blue," now available from Blurb publishers. When I first painted Amelia I never imagined that she would be re-christened "Blue" and inspire a book. In her defense, Amelia had a number of other partners in crime - animals who's portraits seemed to fall into a specific color category and prompt color-centric names. In typical ADD fashion, my brain started spinning 100mph. What if I turned those muses' paintings into a picture book for animal loving kids? I shared my idea with three friends in the industry, and they eagerly offered their expertise. I am truly indebted to them. Illustrator and author Matt Faulkner and children's book author and literacy expert Kristen Remenar edited an early version of the draft. They suggested key plot/conceptual changes that made it oodles better. Designer Elizabeth St. Hilaire Nelson worked her magic, pairing the images with perfectly color...
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