It was over a year ago when Mike Fry, Director of the Animal Ark Shelter in Minnesota, first contacted me to talk about the extraordinary signage he wanted to create for their new shelter addition. We talked about the aesthetic of the space and our design options. Mike chose faces from paintings I had already done, and we collaborated on combining them to make an entirely new composition. The tiles are 8" wide - this sign measures over 4 feet tall and more than 7 feet wide. What a warm and welcoming gateway it creates to a wing that will connect hundreds - dare I say thousands? - of kitties with new homes. Iris, the Himalayan in the back, was a rescued kitty. I cannot recall if the tabby Thomasina was.... regardless, I know they both are serenly approving their likenesses from The Bridge, and will keep a special eye on all the souls who go through those doors. Warm thanks to Mike Fry for reaching out and asking me to partner with him on this project, too! Thanks for sharing my artwork with your friends and family, Kim PS Please note that this signage was created in partnership with Animal Ark Shelter. If you are interested in creating something similar for your space, please contact me. We can assess your situation and work together on creating a spectacular design like this.
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The cover of "A Dog Named Blue," now available from Blurb publishers. When I first painted Amelia I never imagined that she would be re-christened "Blue" and inspire a book. In her defense, Amelia had a number of other partners in crime - animals who's portraits seemed to fall into a specific color category and prompt color-centric names. In typical ADD fashion, my brain started spinning 100mph. What if I turned those muses' paintings into a picture book for animal loving kids? I shared my idea with three friends in the industry, and they eagerly offered their expertise. I am truly indebted to them. Illustrator and author Matt Faulkner and children's book author and literacy expert Kristen Remenar edited an early version of the draft. They suggested key plot/conceptual changes that made it oodles better. Designer Elizabeth St. Hilaire Nelson worked her magic, pairing the images with perfectly color...
beautiful, beautiful job!
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Thanks, Caren!!
ReplyDeleteHere in Portugal there is a lot of tile work, but much of it is commercially produced. There is a fair amount of hand-painted tilework done, but it really is aiming for the tourist market so it's pretty generic- typical landscapey stuff or traditional decorative patterns. When you come across an unusual hand-painted piece it really stands out. What you've done for the sign is fantastic! Was it difficult to work on the tile compared to what you usually work on?
ReplyDeleteRuca, a third party transferred my image/design onto the tiles. It was not hand done. ;) thanks for the kind words on the sign, though!
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