Here's where we left off yesterday - I had begun to lay down a range of values and then identified some drawing problems that needed attention before any more paint layers went down. (You can see yesterday's progress - including the inspiration photo - here.) Yes, this is the same panel! I redrew Maggie, correcting her oversized bum, making her eyes a little brighter, and pulling her chin forward. I corrected the improbable angle of her shoulders and front legs, too. And then I threw in underpaintings for the background that will be compliments to the ultimate final layers of color. This totally changed the painting, no? Using those same hot colors as in the underpainting, I dropped in bits and flecks of color in Maggie's face. This is what will give her painting life and intensity. I moved my attention to the back 1/2 of her body, and used neutralized versions of the same colors to begin pushing it back in space. Notice how I painted over the tip of her left ear? The brushwork wasn't cohesive behind the edges of her ear and across her shoulder, so I smoothed things out by going straight overtop it. And that's where I ran out of steam! I hope to pick the brushes up again tonite after dinner. Thanks, as always, for sharing my artwork with your friends and family, Kim
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The cover of "A Dog Named Blue," now available from Blurb publishers. When I first painted Amelia I never imagined that she would be re-christened "Blue" and inspire a book. In her defense, Amelia had a number of other partners in crime - animals who's portraits seemed to fall into a specific color category and prompt color-centric names. In typical ADD fashion, my brain started spinning 100mph. What if I turned those muses' paintings into a picture book for animal loving kids? I shared my idea with three friends in the industry, and they eagerly offered their expertise. I am truly indebted to them. Illustrator and author Matt Faulkner and children's book author and literacy expert Kristen Remenar edited an early version of the draft. They suggested key plot/conceptual changes that made it oodles better. Designer Elizabeth St. Hilaire Nelson worked her magic, pairing the images with perfectly color...
Toujours très impressionnée par la progression de votre travail... j'adore, j'adhère...
ReplyDeleteGros bisous