Skip to main content

Bodie's Bell, A Painted Sketch


 
 
 

"Bodie's Bell," a commmissioned painted sketch, image approximately 5" x 7" roughly centered on an 11" x 14" piece of multimedia artboard. 

 
Thanks to the help of My Better Half, paintings are getting packaged as soon as they are dry. I couldn't have painted - and shipped - over 40 commissioned portraits since October without the help of him and my entire family.

 
I owe them a major batch of chocolate chip cookies once this is all completed. Which will happen after I sleep. For a couple of days.
 

There's in-process pics of Bodie on the studio Facebook page.

 
Thank you so much for supporting my artwork and providing my livelihood,
Kim

 



 
Tease
 

There's nothing like a spoilt kitten to ruin a good nap, you know? 

 
Mona waited and waited for Finnigan to wake up and show mild curiousity in her slowly flicking tail.

 
Then, she let him have it. With all four paws, as she shot out from under the couch belly up and head first.

 
Poor Finnigan went upstairs (after he peeled himself off the ceiling) and finished his nap under the bed.

 
Mona curled up on the couch where he had so kindly warmed a spot for her.


Comments

  1. Une bien belle publication à nouveau... Belle peinture comme toujours...
    Il est bon de voir le comportement nos chers amis à quatre pattes...
    gros bisous

    ReplyDelete
  2. Merci, merci, merci, Martine!! Finni and Mona are quite the pair, no? this is what I am entertained with when I turn my gaze from the easel.....

    ReplyDelete

Post a Comment

Popular posts from this blog

“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...