Skip to main content

I Went Back To School!!




"Orchard I," 8"x10", acrylics on museum quality panel, a study created plein air while shivering majorly at Millers Big Red Cider Mill this past weekend. I don't do cold, but I ventured into the chilly great wilds this weekend for the opportunity to paint plein air with one of my mentors. You can snag this painting for $200 if you are the first one saying please.

I HEARD A PLEASE, so this one's SOLD! THANK YOU!

I got to paint with none other than Vianna Szabo this weekend! I was part of her landscape painting workshop. She took 8 of us on a whirlwind immersion to the joys - and realities - of painting plein air.

The first day we focused on composing and editing the landscape. Plied with donuts and warm cider, we then ventured into a wet and cold orchard to create value studies that solidified (or should have) our concepts.

My first ah-ha moment came while working on my color study. I was tracking my brushstrokes on a value scale (I thought to better understand the realm of greens seen). Then I discovered how much of my color fell smack into that "3" of the middle value range. 

So what does this mean? My initial thought is that I'm allowing myself to be distracted by color, and not fully using value, and this could be why I sometimes struggle with building great depth.

Vianna recommended I study some masterpieces and reduce them to 5, 3 and 2 values each. I was too exhausted to tackle this challenge right away, but I do think this will be eye opening, and an exercise to try later this week. From the warmth of my own studio!!

Tomorrow I'll share what we learned on Day Two!

Thanks, as always, for following along with my artwork,

PS Lots of photos from the weekend are here. 

Comments

Popular posts from this blog

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...

Fisher Price Little People Puppy, Toy #10

"Little People Puppy (Toy #10)," 6" x 6," acrylics on masonite, starring a spunky little spaniel with jointed legs made by Fisher Price This painting is $75, with free shipping inside the US. Purchasing is as simple as  asking . I didn't play with this particular version of Little People toys, but I find them very sentimental never the less. They are well designed and charming. I tried to figure out what year Fisher Price made these particular jointed toys which I own (via ebay - I have circus characters too!), but got distracted learning about the history of Little People in general. They have seemingly been around for 50+ years! The Little People barn was a HUGE part of my childhood. The barn doors opened with a "mooooo," but in my head I heard welcoming nickers. Those horses and chickens were real. The brown and orange shag carpeting of my parent's family room became lush rolling pastures of green, and the Little People...

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...