"She Used to be Mine," 24" x 36" x 1", acrylics on gallery wrap canvas with image painted around the sides. $1899 plus s&h, but you have to ask nicely as this one will be tough for me to part with. I accept personal checks, paypal, venmo and payment plans.
I started out with the miniature horse as a self portrait, Young Kim, and the pansies represented my desire to own a horse (in Victorian times pansies meant "thought"). Then a Sara Bareilles song came on, She Used to Be Mine, a song I associate with The Princess because of a gut-wrenching dance she once performed to it. I put the song on repeat to mentally replay that memory, and as the song cycled, the lyrics took on new meaning. They evolved from mourning who the singer used to be, to singing about a child grown and off into the world.
So there is a paradox to this painting, at least for me. It is Young Kim, full of dreams and as yet un-materialized magic. It is also Present Kim who's still got a good amount of magic left (or is that just pink gas?!) and carries memories of dear souls in her heart. And it's also Soon to be Empty Nest Kim who is rooted and in full bloom and watching her children be beautiful humans on their own.
I would love to know what YOU see in this painting - what story does she tell you?
Thanks for following along with my art journey, Kim
The cover of "A Dog Named Blue," now available from Blurb publishers. When I first painted Amelia I never imagined that she would be re-christened "Blue" and inspire a book. In her defense, Amelia had a number of other partners in crime - animals who's portraits seemed to fall into a specific color category and prompt color-centric names. In typical ADD fashion, my brain started spinning 100mph. What if I turned those muses' paintings into a picture book for animal loving kids? I shared my idea with three friends in the industry, and they eagerly offered their expertise. I am truly indebted to them. Illustrator and author Matt Faulkner and children's book author and literacy expert Kristen Remenar edited an early version of the draft. They suggested key plot/conceptual changes that made it oodles better. Designer Elizabeth St. Hilaire Nelson worked her magic, pairing the images with perfectly color...
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