Skip to main content

NEW PAINTING Daydream 13

"Daydream 13," 24" x 30", acrylics and graphite on panel, $899 plus s&h to the first asking nicely. I accept paypal, venmo, personal checks and payment plans.  Inquiries may always come to me.
This painting is a very personal one. The figure is myself, as a child, inspired by a school photo. I was so lost (and not because the photographer made me take off my glasses for the picture) - aware that I was different and convinced (wrongly so, I might add) that this was very much not ok. If I could go back to Little Kim, I would tell her to own her story and let her heart shine more brightly. I would teach her about spirit guides, tell her that intuition is a fabulous navigator, and being 4 eyed was not a curse.

And I'd whisper in her ear that she was, and will continue to be, an artist with every breath she takes.

Thanks so very much for following along on my art journey,
Warmly, Kim

9/11 changed Americans forever in so many ways. It saddens me that my children grew up in a world laced with terrorism, ongoing wars and increasing violence. My oldest was in Kindergarten, The Caped Crusader was 3 and The Princess just a baby. They saw friends' parents/neighbors head off to war, practiced active shooter drills at school and were bombarded with conflict in an increasingly divided world. Today I mourn more than the lives lost to the senseless acts of terror. I also mourn the lives changed, forever, and the combative path our world spiraled further down.
 

Comments

Popular posts from this blog

“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...