Skip to main content

IN PROCESS Resilience



IN PROCESS Resilience (working title), 18" x 24", acrylics and graphite on stonehenge paper (will need to be framed and set behind glass), $599 plus s&h when completed. There is a little bit of paper buckling and glare from the studio lights in the upper left - the paper is pretty wet, but ultimately this piece will dry completely flat. I accept paypal, venmo, personal checks and payment plans - inquiries may always come to me, and thank you so very much.

I finally made it to the easel today, and painted something (that wasn't a journal page) that I feel pretty excited to share. The past couple weeks have rocked me to my very core, which I'm sure is a feeling many of you can relate to. Here in Michigan we are on our first full day house arrest, and today I seriously limited my exposure to the media/newsfeeds and focused instead on the things that make me happy. Rabbits, line, flowers, color, pop tarts.

I taught a #journalthroughit session this morning using collage (those who watched the video, can you see how collage informs my artwork?), did a private online art marketing seminar (paying it forward in appreciation for all those who helped me get started), and then made it to the easel. With my headphones on and my favorite playlist, household noise was entirely blocked out, and I was able to slip into a lovely painting zen space. 

And this is where I'm going to stop for the moment.

I feel a little lighter inside, just a bit. Painting usually does that for me. I will feed that with some sunshine time outside with the dogs, and then I am going to make a giant pot of homemade pasta sauce for my crew.

My only regret today is that I didn't get a loaf of bread started earlier, but we'll roll with it. Haha - pun intended.

I hope that you had a good day as well. Together we're going to get through this.

Thanks so much for following along with my art journey. 
Warmly, Kim

PS Bonus video for #journalthroughit peeps - it's here!! After our session ended, I began painting my contour drawing, so that you could get a peek at how you might do the same.

Comments

Popular posts from this blog

“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...