Skip to main content

NEW WORK Psyche 164

 

Kimberly Kelly Santini 
paintings with soul
because our world needs more beauty
 

From the ongoing series of 2020-21 world events' inspired drawings, "Psyche 164," graphite on paper, 11" x 8-1/2" (this is an up close view of the drawing, which is roughly 3" high). 

Long time readers of my newsletters know I've been drawing quite a bit this past year, but I've not shared much of them. A couple reasons why, but mostly because I wanted to stay focused on the content of the drawings, and not get distracted by the commodity aspect that happens when something is for sale. These also came from a deeply personal space, a space I wished to protect as they emerged, for fear (there's that word again!) that too much hullabaloo would send them into hiding.

It's difficult to be vulnerable. It's even more difficult to be vulnerable at a time of great uncertainty. And I cannot recall a time of greater fear and tension at a global level that right now.

When talking earlier today with several artist friends (and continuing a conversation I've had in a variety of spaces with a cast of creative voices over the last 30 years), I had a couple of ah-ha moments. One of those was the realization that beauty is rooted in honesty, and also in terror (thank you Anne Siems and Rainer Maria RIlke). We cannot appreciate love without understanding loss, and the preciousness of something becomes heightened when we fear it will disappear.

There is, however, comfort in being vulnerable together. Which we can do over a piece of music or a performance or a particular ritual or just a simple email.

So I am sharing this drawing with you today, in spite of my fears, to help us each appreciate and savor the beauty we all have in our own lives in whatever way we can. These are unprecedented times, when a pandemic threatens communities and loved ones, and the US democracy teeters on the lip of the unknown, plus whatever other crises peek into our own lives.

If you want to talk about this, being vulnerable and defining beauty, or anything else about my artwork, I'm hosting a live Q&A for my online students this Thursday (Jan 21st) at noon eastern. Come join us - info is all here - at the $15 level, and you'll get access to the call details.

Meanwhile, as my shero Glennon Doyle says, we can do hard things.
Stay well,
Fondly, Kim

Comments

Popular posts from this blog

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...

Fisher Price Little People Puppy, Toy #10

"Little People Puppy (Toy #10)," 6" x 6," acrylics on masonite, starring a spunky little spaniel with jointed legs made by Fisher Price This painting is $75, with free shipping inside the US. Purchasing is as simple as  asking . I didn't play with this particular version of Little People toys, but I find them very sentimental never the less. They are well designed and charming. I tried to figure out what year Fisher Price made these particular jointed toys which I own (via ebay - I have circus characters too!), but got distracted learning about the history of Little People in general. They have seemingly been around for 50+ years! The Little People barn was a HUGE part of my childhood. The barn doors opened with a "mooooo," but in my head I heard welcoming nickers. Those horses and chickens were real. The brown and orange shag carpeting of my parent's family room became lush rolling pastures of green, and the Little People...

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...