Skip to main content

The Quick Brown Fox

 

The Quick Brown Fox


The Quick Brown Fox, original acrylic on gallery wrapped canvas, 24”x36”x1-1/2”, image painted around the sides (so no pressing need to frame), $2000 plus s&h to the first asking nicely. Grab the button above or reach out to ask for a payment plan (details below).


This painting was one of the central pieces included in my solo show last year, Fox, at The Manoogian Gallery inside Liggett University Schools. I was surprised this morning to see that, oddly enough, she had never been shared via my newsletter - that was a huge oversight, now corrected.


This lovely has found herself back on the market through no fault of her own, and I know she is going to find the very best home!


The Quick Brown Fox holds all of the autumnal woods in her core. She’ll entice you to go on a walk through the dappled light and savor the crunch of leaves under foot. She’ll dance between the trees to birdsong as the fall color ripens. Who wouldn’t want this sort of experience right on their own walls?


You are invited to view The Quick Brown Fox on my website, inside a room setting and up close (that’s the best way to see the layered history and gesture across her surface). You can purchase her from this link as well.


Let me know if you would like a payment plan on any of my originals over $500 (30% non refundable deposit with the balance plus shipping paid in full inside 12 months time). Repeat offenders, i.e. returning collectors, please use “COLLECTOR10” at checkout for 10% off the acquisition of original artwork.


Thanks so much for your interest in my artwork.

Love you, Kim


Labels:

Comments

Post a Comment

Popular posts from this blog

“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...
Post a Comment
Read more

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...
33 comments
Read more

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...
11 comments
Read more