Skip to main content

Summer Solstice

check her out, bring her home

Summer Solstice, 20x20, acrylic on cradeled panel (no need to frame, painting will arrive wired and ready to hang), $1900, available exclusively through my website. S&H inside the contiguous US is on me. Hawaiian, Alaskan and Canadian shipping available at additional cost.

This painting got her start last week at my friend’s house. She (my friend, not Solstice) invited a group of us to gather and paint in her garden (her roses killed me). It was a glorious day.

Then she (Solstice, not my friend) came home to the studio for more work, informed by photos I took that first day along with bits and pieces from my own garden.

I toyed with the concept of symmetry - in a square painting, a balanced design becomes critically important. Initially I was reaching for a mirrored take on that, but it was too easy to look at and move past - it didn’t grab the viewer and ask them to stick around. So I found a middle ground - some symmetry, some differences. Here’s a video short on how I used Procreate, a digital drawing program, to visualize some of the possibilities.

And while Solstice is Brown Bear born from the dregs of winter, last night in my dreams she introduced me to Spirit Bear. So guess who’s coming to my easel next?

Solstice is over on my website for your direct purchasing, along with viewing in a room or right up close.

I am so grateful for your interest in my work.

Thank you so much for your support.

Big Bear Love, Kim.

PS Payment plans on request for purchases greater than $500 - 30% non refundable deposit reserves the painting, with 6 months to pay off balance plus any s&h (my current pieces include s&h - paintings done prior to 2026 are at my old prices and s&h is a separate line item). Returning collectors - don’t forget to use “COLLECTOR10” discount at checkout for 10% off acquisitions. Questions can always come my way.


Comments

Popular posts from this blog

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...

Grindstone

"Grindstone", 16" x 20" acrylics on museum quality panel, depicting Grindstone, just a few strides away from winning The Kentucky Derby in 1996. Read more about this painting's story below - it's a good one! And inquiries may come directly  to me .  Paying it Forward Shortly after getting The Derby Gig, which neatly dovetailed my childhood passion for horse racing with my grown up obsession with painting, I started formulating a plan to give back to the universe. As it played out, The Kentucky Derby Museum got involved, and it was decided I would donate a piece to them, something they could use as a fundraising tool to further their education efforts.  "Would I be interested in painting Grindstone, the winner of the 1996 Derby?" they asked. But of course! Little did I know the background story, though. Every year the Museum asks the owners of the Kentucky Derby winner to donate one breeding to the Museum when th...

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...