"Pick Me, Pick Me !! (Little Nicky)," from "The Gratitude Project," (2) 6-1/2" x 3" panels which together create one 6-1/2" x 6" painting, done in Golden Open Acrylics on Raymar panels, depicting a tiny black shelter kitty. $299 will get you both paintings and a donation made to the San Francisco SPCA, where this wee little one hailed from. Inquiries may come to me. SOLD. "The Gratitude Project" evolved as I searched for a way to carry the serenity discovered at Best Friends during last summer's visit. Nothing makes me feel better than doing good - whether that be for a client or someone else - and the air in Kanab was saturated with peace from all the positive change created at the Sanctuary. I connected with a few of my friends involved with rescue across the country and shared my idea of painting and profiling shelter animals, who, regardless of their circumstances, maintain the capacity to love and forgive. Everyone I spoke with was eager to point me in the right direction, facilitate introductions, and get me started. So over the coming year Painting a Dog a Day will randomly include spirits from across the US, with proceeds from the sales of their paintings (and notecards and reproductions) donated back to the host groups. I was able to paint Little Nicky courtesy of my Gratitude Partner Kira Stackhouse, a San Francisco based photographer I met this summer when visiting Mutt Lynch Winery. You can learn more about her brilliant photography and her own Project Dog on her website. Thanks, Kira, for generously sharing your talents with us. And thank YOU for looking at, and sharing, my artwork with your friends and family - Kim
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“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...
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