Skip to main content

Shipping Day


As exciting as it is to get a piece juried into an exhibition, I dread the next step.

Packing and shipping.

It's different than merely sending a painting off to a new home because exhibition pieces are framed and wired for hanging, and the packaging must be such that it accommodates a return trip home.

Today I built boxes to house three pieces headed to Kansas for next month's 25th Annual Art Show at the Dog Show.

I photographed them in their finest (see above, below, and a little further beyond that), labeled them according to the event's instructions, and delivered them to the shipper.

Now I'd like to get to the easel and distract myself from thinking about their road trip, but there's a few days worth of emails that deserve my attention first.

And I've got to start a pot of chili.

It probably wouldn't hurt, either, to get out (with the kids) and spend some time deep cleaning the bunny hutch, since the temperature is above freezing. I'm sure they'd appreciate that (Lily and Clover, that is, not necessarily the kids!).

If you are interested, notecards can be ordered of any or all of my 2011 Art Show at the Dog Show pieces here. I'll make prints available once the originals sell.

Thanks so very much for following along with my artwork!
Kim




Going Green

I am very lucky to have a framer who builds my frames from scrap moldings. Because my paintings are typically 8" x 10" or smaller, she is able to use the leftovers from other projects when framing mine.

This has also eased the guilt that happens when a collector wants to replace the frame in order to match a particular decor.

I hate waste!

We are big, very big, on recycling. It's important to us that we respect the Earth.

So it makes me happy to discover ways to make the studio even greener.

If you want to locate a framer who can do the same, call around and learn who builds frames in-house. Ask if they are able to use their scraps to complete your project.

Apologies

There was an error in yesterday's link to the notecards for "What a Lady," the painted sketch of the chestnut mare. The correct link is here. So sorry about this!

Comments

  1. What a wonderful blog with beautiful paintings of dogs. You are talented:) Will come back and visit again. We just lost our sport model Bichon with complications from epilepsy. Love the eyes on the dogs that I saw. Just beautiful.

    ReplyDelete
  2. Kathy, thank you so very much - I am really sad to hear about your dog. I hope that you find joy in memories, though. You are welcome back anytime and let me know if you have any questions! :)

    ReplyDelete
  3. Je souhaite un excellent voyage à l'ensemble de vos toiles... En ce qui concerne les cadres,, je suis tout à fait d'accord avec vous. j'essaie au mieux d'éviter des dépenses inutiles et surtout du gaspillage. Je fabrique moi-même mes cadres, et c'est une dure labeur! mais si parfois au fil du temps certains s'endommagent je m'arrange pour les recouper, recoller et les rendre à nouveau beaux!
    Je suis toujours une fan de vos peintures qui ne manquent pas de puissance tant en couleur que par la générosité et l'amour des animaux...
    gros bisous

    ReplyDelete
  4. Martine, I wish my french was good enough for me to respond - I'd love to paint alongside you one day, and I can share my color tips and you can coach me en Francaise!! :)

    ReplyDelete

Post a Comment

Popular posts from this blog

“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...