Skip to main content

Authenticity, Part IV

grownUPs journaler Toni demonstrating her understanding of contour drawing and exploring the use of positive and negative space, from this evenings art journaling workshop.
 
 

Things are settling down in the Santini household. There were no broken bones today and dinner was homemade spaghetti and meatballs. All three kids were smiley (although one's smiles were, admittedly, vicodin induced), homework completed, and animals fed and walked without complaint.

 
And then Mom got to escape to one of her happy places.

 
That being grownUP journaling classes.

 
We meet on the 3rd Thursday of each month for a couple hours in the evening. And tonite I savored every moment of our togetherness.

 
Our group was intimate (I'm not judging those who opted to stay home and watch the Tigers dominate the Yankees!) and all the more special for it.

 
We focused on edges, quality of line, and positive and negative spaces. I demonstrated a couple different drawing techniques, and using a variety of fall-related props and mark making tools, we settled in to make some art.

 
You can see photos of the workshop on my Facebook page. Special props to Judy, Toni, Audra and Candi for allowing me to break away and just create!!

 
Kim, who's head is spinning at the speed with which this week flew by, or maybe it's the tall glass of wine, or perhaps a little bit of both
 
 
Labels:

Comments

Post a Comment

Popular posts from this blog

Dear Copyright Thieves

Dear Copyright Thieves,   Just because it's on the internet doesn't mean it's free for the taking. So let's just stop pretending the internet is a free-for-all.   Don't play the card that you didn't know - that's insulting. And don't also tell me that you meant to follow up and get permission but never got a chance to. That's insulting too. And by the way, don't you have a copyright protection notice on your own site?   And don't even try and point the finger at a third party who commissioned you to make a copy of my painting - again, an insult - you and I both know the difference between a reference photo and a painting.   And don't tell me that I asked for it because I share my artwork on the internet. I share my paintings and ideas and the stories behind them so as to encourage others to pursue  their own passions . I do not share so that those lacking integrity and morals can copy and market the images as their own...
33 comments
Read more

Fisher Price Little People Puppy, Toy #10

"Little People Puppy (Toy #10)," 6" x 6," acrylics on masonite, starring a spunky little spaniel with jointed legs made by Fisher Price This painting is $75, with free shipping inside the US. Purchasing is as simple as  asking . I didn't play with this particular version of Little People toys, but I find them very sentimental never the less. They are well designed and charming. I tried to figure out what year Fisher Price made these particular jointed toys which I own (via ebay - I have circus characters too!), but got distracted learning about the history of Little People in general. They have seemingly been around for 50+ years! The Little People barn was a HUGE part of my childhood. The barn doors opened with a "mooooo," but in my head I heard welcoming nickers. Those horses and chickens were real. The brown and orange shag carpeting of my parent's family room became lush rolling pastures of green, and the Little People...
Post a Comment
Read more

Golden Open Acrylics

I get all sorts of process oriented questions. Most recently I've been getting asked a lot about my paints and palette, which made me realize what a nice blog topic this would make! I use a Masterson Sta-Wet Premier palette box . This is comprised of a box (think Tupperware) with a sponge liner and a slice of palette paper that work together to keep my paints wet. This setup allows me to work with the same palette for about a full week, having the box open for multiple hours every day. You can see what the palette looks like at the beginning of a new session above - below the exact same palette after this week's work. For the last 25 years I have used Golden brand acrylics, mediums, and varnish. I love the overall quality of these paints and the fact that, when I have a question, their customer service department is made up of artists who actually use the products. Until last year, I used their Heavy Body paints exclusively. They have a buttery consistency, a little loose...
11 comments
Read more