IN PROCESS: "Gettin' Jiggy"," 11" x 16", portrait of a mixed breed dog playing in shallow waters, done in acrylic on museum quality panel, $609 (when finished, which should be tomorrow). Is this one yours? I can make it happen - just let me know!
I went to a painting demonstration last nite , and as a consequence spent today working more slowly, carefully considering each brushmark and analyzing color decisions.
The dog's local color (orange-yellow) + reflected color (yellow) + light temperature (yellow) = lots of yellow, and yet I want to add pinks and oranges and buffs in there too. But yellow is good, especially Indian Yellow, which I've used about a half tube of in this painting so far.
And then if the light is warm, like the noon sun, shadows are cooler. Which means more blue in the shadows, but only a cooler blue - none of those cyans and turquoise's I've been loving lately. But my water's yellow, and in theory that's my local color and then the dog's reflected color (orange yellow) gets factored in, so do two warmer yellows overrule that cool shadow rule? I'm auditioning that splash of phtalo blue there under her paw..... I think it does need to be cooler, like a prussian blue perhaps.....
I feel as though I know nothing about painting.
Which is good. Because that's when the breakthroughs happen!
Kim, who is pretty confused right now but still thinks playing artist is far better than a desk job
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“Katie’s Moustache,” 6x12, pet portrait in acrylic on canvasboard, $90. Inquiries to ksantini@turtledovedesigns.com . One glimpse of Katie’s face, and I was hooked. Not only did she fall into my beloved “black & white” category, but she came with a full moustache and doe-like eyes. I first covered the canvas with a variety of blues and purples, using a (mixed) light green and pink for the highlights. (Right now my palette has been expanded to include the following: pthalo blue red, azurite hue, cad red dark, alizarine crimson, cad yellow dark, and then for graying/hazing out I use light green yellow and ultramarine purple.) I lighten with titanium white and darken with one of the blues and a touch of one of the reds. As a side note, at this time last year I was really struggling with my limited palette (I went from about 60 pots of paint to 3), but I have lived the benefits – I am so much more familiar with what I can mix given just this handful of colors. My paintings are also m...
J'ai hâte de voir l'évolution de votre peinture... Elle est déjà remplie de joie.
ReplyDeletegros bisous
Martine, thank you - you are always so diligent and generous with your comments!! Happy painting!
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